The Festival of the Beautiful Embrace - Hathor's journey & mystical ceremonial marriage celebrations to her husband Horus

 All temples survived on the produce of the land, and the produce of the harvest Festival at Dendera Temple proceeded the most spectacular festival that was known as the' Festival of The Beautiful Embrace' where once a year after the harvest, the Goddess Hathor’s barque was loaded with the produce of the fields in preparation for the annual visit she made to see her Husband the God Horus at his earthly home the Temple Of Edfu where they would re-enact in a mystical ceremony their marriage, and the conception of their son Ihy

At Hathor's earthly home of Dendera Temple I followed the side wall all the way around the temple where my enthusiasm increased as the relief’s were untouched, beautiful and unspoilt once more, and they portrayed the harvest festival, where  the beautiful goddess Sekhet, the goddess of the fields brings the produce of the land to the temple, she walked through the fields of wheat Papyrus and lotus, small geese fly from the ground whilst she follows a calf, her breath has the  scent of flowers and she is adorned with Lotus blossoms, and in her arms she carries Lotus geese fruits and wine.  

 In splendid celebration Hathor whose name means “The House of Horus”, was carried from her sanctuary within Dendera and greeted by all important dignitaries and priests, the locals were allowed to join this celebration,  then   gently her splendid barque that was known as ‘Great of Love’ carried her upstream where she was joined by a flotilla of barques until she arrived at Karnack Temple, where she would stay for a few days to visit the Goddess Mut, the wife of Amun Ra, more barques joined her flotilla as she left Karnack to continue her journey south, Her Husband Horus would leave his temple and head downstream to greet her and in glorious celebration he would escort his wife to his home of Edfu Temple to  begin  fourteen days of joyous celebration where their sacred marriage was enacted once more and their son Ihy was conceived. Each day throughout the waxing moon the same set of ceremonies were carefully performed. It was felt that on the evening of the fourth day Ihy, the son of Horus and Hathor, was conceived .

Over the centuries, the temple of Horus at Edfu became buried to a depth of 12 metres (39 ft) beneath drifting desert sand and layers of river silt deposited by the Nile, and just like the Temple of Dendera Local inhabitants built homes directly over the former temple grounds. the temples of Dendera and Edfu were built during the Ptolemaic period, the successors of Alexander the Great.

Only the upper reaches of the temple pylons at Edfu and Dendera were were visible. In 1860 Auguste Mariette, a French Egyptologist, began the work of freeing Edfu temple from the sands.

Hathor has 411 epithets expressing her qualities and attributes mentioned at her temple in Dendera, some of them are also written on the walls of Edfu temple, The wall relief of the pylon at Edfu describes her as: 

'Hathor, the great one, lady of Dendera, eye of Re, who residence in Edfu, lady of the sky, mistress of all the gods, the Uraeu which is upon the head of Atum, who created her place upon his head, the great cow of heaven, who born Re, the first one of the Ogadoad, Rennet, the noble one in Egypt, the Uraeus to all gods, lady of charm, sweetness of love, all men and women behind her, lady of protection in the bark of millions, who protects the bow in the bark of god, beautiful of hands, who carry the sistrum to appease who hide his name, great of magic, lady of upper Egypt house, who says spells with her name, brighten of eye-brows, sweetness of love'

On the day of the full moon the festivities ended and Hathor bid Horus farewell and began her return journey to her own temple once more, where on her return announced the long awaited flooding of the River Nile

Hathor was a sky goddess, known as “Lady of Stars” and “Sovereign of Stars” and together with the goddess Isis was linked to Sirius in the heavens, once Sirius rose the Nile would flood, astronomer-priests noted that Sirius rose with the Sun just prior to the annual flooding of the Nile which was known as the “Tears of Isis”  which hopefully flooded large areas, feeding the land with the rich nutrients that made the valley fertile. Over the centuries, the seasonal floods have been the lifeblood of the Egyptian civilization, and their failure could bring pestilence & famine due to crop failure.

I would like to thank my friend Mohamed A Fahmy, who is a very spiritual tour guide, for his knowledge on the titles of the Goddess Hathor and the image of Hathors Barque. You can contact Mohamed on Facebook

Ancient Egyptian Festivals

The New Year - The Opet Festival - The Beautiful Feast of the Valley - Harvest Festival -The Festival of the Beautiful Embrace


Ancient Egyptians held many various festivals celebrating the Gods, and the rejuvenation of the Kingship, I have explained a few of these festivals that were  held at Karnack, Luxor The Mortuary Temples on the Westbank of Luxor and Dendera and Edfu Temples. These festivals celebrated the Egyptian New Year when the River Nile flooded, the Harvest Festival, the Opet Festival, the Festival of the Beautiful Embrace.



Luxor temple is not the home of a God, or a Mortuary Temple, it was created  to celebrate a very important festival between the Temples of Karnack and Luxor, this festival was known as The Opet Festival, when the king walked the one and a half miles down the avenue of sphinx that connected the two temples, he was followed by his priests carrying the holy barques of the God Amun, his wife Mut,  and their son Khonsu. Ancient Egyptians lined the route to celebrate with the King his Re-birth, and  the Rejuvenation of Egypt with the flooding of the River Nile.

 Once the holy Barques arrived at Luxor Temple they would hold 14 days of celebrations to celebrate the marriage of Amun to Mut During the symbolic celebrations the King and Egypt were reborn every year. Even today the Egyptians celebrate the Opet festival they all come out into the streets to celebrate and they carry small boats that they have made out of paper and cardboard.

On the walls of Luxor Temple we can see priests bringing bread, and  driving cattle to be slaughtered for the feast. Dancers are shown on the walls behind the columns that join the Festival Hall of Amenhotep 111 to the first courtyard of Ramses the Great.

During the celebrations the king would disappear from the festival and re-emerge seven days later from the birth room, so when I think of Luxor temple I imagine it as a living womb, and when it was time for the birth, the festival and ceremony of the birth was re-enacted with joyous celebrations.

The oldest records for the Opet Festival are recorded on the walls of Hatshepsut's Red Chapel that can now be found in the Open Air Museum in the grounds of Karnack Temple. On the walls the Holy Barque is shown being carried by priests from Karnack Temple down the avenue of sphinx to Luxor Temple to celebrate The Feast of the Opet,



The walls of the Red Barque Chapel also record the Beautiful Feast of the Valley   

This was a festival of the dead and remembrance, where the God Amun was taken from his shrine in Karnack Temple  and put into his holy barque travelling from the East bank which is the side of the rising sun, he journeys across the River Nile to the West bank, the side of the setting sun, the domain of Osiris and the Mortuary Temples of the departed kings. The flotilla of boats that joined Amun on his journey carried  vast quantities of flowers whose perfume were believed to hold the essence of the Gods, on a the walls of the mortuary temples and in the tombs, the Kings are often shown offering the Gods flowers.  During the celebrations of the Beautiful Feast of the Valley Amun's priests delivered flowers to all the Mortuary temples, that were used to hold celebrations during the kings lifetime, and where the priests presented the Ka statue of a deceased king with offerings to satisfy his needs. During the Beautiful Feast of the Valley Egyptians visited the graves of their relations to leave flowers and to pay their respects and revive the deceased's spirit.


Celebrations and Festivals held at Dendera Temple

In the gloomy light as I climbed the staircase onto the roof of Dendera Temple, I had a strange feeling that I wasn’t alone , a square shaft of light enhanced the wall and I then saw at the side of me on each step continuing up the stairs in  raised relief was a priest.  I stopped in wonder for a few minutes to look at the procession of priests as they continued up the stairs, the lighting was so subdued I  could not safely continue to walk up the steps and look at the same time, gently I touched the relief as would a blind man to hold  a vision in my mind, the higher I climbed the more I experienced feelings of elation, the  relief’s portrayed the
New Year Celebration and some of the priests wore strange masks and carried offerings and  the shrine of Hathor up the staircase towards the roof to await a very special dawn, as the procession walked up this staircase the priests would have chanted prayers for Hathor. I arrived on the rooftop to blinding light and  I adjusted my eyes, and then I walked over to the small chapel in the corner, this was where the priests placed Hathor statue in the final hours before the dawn to wait for the star Sothis that would rise once a year with the dawn, on one of the most important days of the Ancient Egyptian Calendar. For seventy days Sirius, one of the brightest stars would not have been seen, it was the symbol of the goddess Isis in the heavens, on the first dawn after the seventieth day she rises again with the sun and remains visible for just a few moments, this special moment marks the beginning of the Ancient Egyptian New year, and it also marked the beginning of the annual flood of the River Nile.  At the end of this day after the Goddess Hathor had bathed in the rays of the sun for her renewal, at the setting of the Sun Hathor was then delivered safely back to her sanctuary within the temple..

The Egyptian New Year Festival - The Harvest Festival & The Festival of the Beautiful Embrace celebrations held at Dendera Temple

Coming out into the brightness of the daylight from Dendera Temple onto the temple roof I adjusted my eyes and then I walked over to the small chapel in the corner, with 12 Hathor-headed columns known as the ‘chapel of the disc’. Here the statue of the goddess was brought out on New Year’s morning to be reunited with the sun’s first rays, the solar disc the priests placed the shrine of Hathor in the final hours before the dawn to wait for the star Sothis that would rise once a year with the dawn, on one of the most important days of the Ancient Egyptian Calendar. For seventy days Sirius, one of the brightest stars would not have been seen, it was the symbol of the goddess Isis in the heavens, on the first dawn after the seventieth day she rises again with the sun and remains visible for just a few moments, this special moment marks the beginning of the Ancient Egyptian New Year, and it also marked the beginning of the annual flood of the River Nile.  Hathor bathes in the Radiance of the Sun all day in the Chapel of the Disc, and at the end of this day on the setting of the sun, she was then taken across the roof to the opposite staircase and delivered safely back down the staircase to her sanctuary within the temple

On the exterior walls of Dendera Temple we can see the Gods bringing the fruit, vegetables, wine and livestock to the temple to celebrate the harvest, luckily these reliefs are unspoilt and I recognized the Goddess of the Fields, the beautiful goddess Sekhet, she brings the produce of the land to the temple, she walks through the fields of wheat, Papyrus and lotus, small geese fly from the ground whilst she follows a calf, her breath has the  scent of flowers and she is adorned with Lotus blossoms, and in her arms she carries Lotus geese fruits and wine.  All temples survived on the produce of the land, and the produce of the harvest Festival at Dendera proceeded the most spectacular festival that was known as The Festival of The Beautiful Embrace  which celebrated Hathor's marriage to Horus

Once a year after the harvest, the Goddess Hathor’s barque was loaded with the produce of the field in preparation for the visit she made to see her Husband the God Horus at his earthly home the Temple Of Edfu. In splendid celebration Hathor was carried from her sanctuary within Dendera and greeted by all important dignitaries and priests, the locals were allowed to join this celebration,  then  gently her splendid barque that was known as ‘Great of Love’ carried her upstream where she was joined by a flotilla of barques until she arrived at Karnack Temple, where she would stay for a few days to visit the Goddess Mut, the wife of Amun Ra, more barques joined her flotilla as she left Karnack to continue her journey. Hathors husband, Horus would leave his temple at Edfu and sail downstream with a flotilla of boats, to greet her, and in glorious celebration he would escort his wife to his home at Edfu Temple, to begin 14 days of celebrations where their sacred marriage was enacted once more and their son Ihy was conceived. Each day throughout the waxing moon the same set of cerimonies were performed. It was thought that their son Ihy was conceived on the fourth day.  On the day of the full moon Hathor bid Horus farewell and began her return journey to her own temple at Dendera once more.

DENDERA TEMPLE

DENDERA TEMPLE

The Earthly Home of the Goddess Hathor

                          
Day trips leave Luxor for Dendera temple on the cruise boats and so I decided to visit this temple as at Dendera I would experience a new chapter  within  Egyptian civilization,  and walk through a temple that had been recreated in the era of the Greek Ptolemy’s and finally the Romans, I would walk in the same temple that probably the most famous of all queens, Cleopatra herself had walked in and  made offerings to the Goddess Hathor the beautiful one, goddess of love, motherhood and female sexuality, the goddess of the cycles of life and fertility, a goddess whose priestesses were trained in the sacred tantric arts of adornment and lovemaking, one of the keys I think that would unlock Cleopatra’s mystical influence and charm.

Through the centuries of time some people are just born to live a simple life, while others are born to be great, the great don’t just live inside the pages of history, they make it happen, and like a human cyclone or turbulent whirl wind they enflame their surroundings and light a burning torch of life becoming a light in the darkness and centuries of history. Even when their whirlwind dies, it doesn’t really matter because they truly lived life to the full for that one moment in time, and the cyclone they created is acknowledged for all time. Cleopatra V1 was one of these people, she came to the throne at the age of seventeen with her younger brother Ptolemy X11 and like Hatshepsut centuries before her she wanted to rule alone. Although of Greek origin Cleopatra learnt the Egyptian language and like a lioness she took Egypt as the cub to her breast and fearlessly protected her heritage. Cleopatra like Hatshepsut was a very determined woman, at 22 she was delivered at the feet of Julius Caesar wrapped in an oriental rug, she desperately needed his help to end the struggle for power between herself and her younger brother Ptolemy X11, with the arrival of Roman re-enforcements her brothers army was crushed in a sea battle at Alexandria and the young king was drowned. Cleopatra and Julius Caesar became lovers and she bore him a son Caesarion, she now had ultimate power of Egypt, with the protection of Julius Caesar, who was Rome in the eyes of Cleopatra, sadly her misconception of Roman culture, and their dislike of her usurping Caesar’s roman wife would eventually lead to her downfall. In all of Egypt this is the only temple that shows a relief of Cleopatra with her son, they are shown on the rear wall of the temple in union with the goddess Hathor and her son Ihy, at the opposite end. Across from their image is a small chapel created for the Goddess Isis by Augustus, the Roman Emperor who would have taken Cleopatra in chains to Rome unless she had chosen to die with the deadly bite of a snake, and on her death he pursued her son Caesarian who was then betrayed into his hands and was murdered.

Of all the temples in Egypt Dendera Temple would have been the most important temple for Cleopatra, as a mother she would have come to Dendera to ask the Goddess Hathor for her love help and protection, during the pregnancy and birth of her son Ceasarion by Julius Caesar. This temple was a place of pilgrimage where divine healing and magical cures took place in the sanatorium, and wondrous festivals were celebrated in the astrological cycles that are vividly painted in turquoise and gold on the ceilings that celebrated the birth of Horus and the union of Horus to the Goddess Hathor
Dendera is the earthly home of Het Heru, Hathor the Goddess of love healing and joy, who had been adored by Egyptians and then embraced by the Greeks and Romans who completely rebuilt her temple over the original remains leaving us with the Greco-Roman temple we see today. Sadly the later roman era also saw the beginnings of the early Christians and Coptic faith who then destroyed the faces of Hathor trying to eradicate her magic and power, and many centuries later, a small Arab community built mud hut houses on the temple roof and made homes within her divine chambers bringing their donkeys chickens and cooking fires within.

Walking beneath the main gateway a wide pathway runs like a river directly to the main entrance of the temple. The first impression of Dendera temple  is quite solemn, what we can see of the temple today was created during the  Greek era and added to during the Roman rule of Egypt. Although the famous Egyptian pharaoh Khufu the great pyramid builder himself had originally built on this site.   The temple dominates the area whilst the mud brick walls surrounding the temple are all in disarray and broken. To the left of the temple are the remains of a Coptic church and Mammsi houses, some broken and some still in good order and a small sacred lake that now reminds me more of a drinking well for camels in an oasis at the desert. The temple is why I am here, and it is not disappointing, although not what I expected, the front of the temple is divided by half panels, these are supported by  six sturdy columns each bearing the  serenely beautiful head of Hathor with her unusual cow ears, a nurturing mother goddess, above her head rests a Naos box with tiny representations, looking up at  the two columns each side of the entrance within the naos box there was a very small image of the Goddess Hathor who stands at the side of the door to her temple  welcoming us into her earthly home, it was a nice feeling to be welcomed by Hathor herself and so I entered through the doorway into the great court of Heaven, where 18 hypostyle columns stretched   across each side of the room leaving a wide path that flowed through the center of the temple  towards the inner halls and sanctuary and a primeval mound of creation. From the top of each column inside the gloomy hypostyle hall the face of a rather sad and compassionate Goddess Hathor gazed down on us mere mortals, probably influencing my Initial feelings, as I felt a wave of sadness wash over me, subdued,  I tried to find a face on the top of the columns that had not been damaged,  the walls and ceiling of this Hall were black with the damage from the fires as they no longer understood or respected the ancient Egyptian gods and a temple seemed as good a place to them to convert into a home. The gloom added to the somberness of my mood, but I wandered through the columns staring up at the ceiling, and eventually to my joyous relief I realized that the ceiling was being  renovated half of  the  original sacred colours of turquoise and gold had defiantly fought their way through the blackened mists of the smoke damage.

Walking towards the corner of the room I recognized the outstretched arms of Nut the goddess of the sky, her name is pronounced Noot and means night, her elegant arms and legs were the pillars to the earth, her face was so beautiful and serene as she swallows the evening sun. Her slim elongated body snuggly wraps itself around the corner of the room and her long back extends across this length of ceiling creating her nightly shroud of Heaven, I followed her around as her elegant legs curved around the next corner of the hall as she gave birth to the sun in the morning, and each new day the first rays of light shine down onto the face of 'The Golden One’ the Goddess Hathor that had been deeply cut into the ceiling. I think the face of Hathor must be carved in gold because it still shines today.  During the daylight Nut and her husband Geb are separated but once the light of the day diminishes she gradually draws down to lay on the body of her husband Geb and the earth succumbs to darkness.  Nut was the barrier that separated the forces of chaos from the ordered cosmos of the ancient world. Gazing up at the ceiling, a row of Heavenly barque sailed across the night sky beneath the starlit body of Nut.

This hall of heaven reflects the stars, I see Sagittarius the half man half horse pulling back on his bow with his arrow poised on the future. A tiny barque sails directly beneath the sun and the first ray of light a barque carries an open lotus flower that appears to have a snake rising from it; this is a representation of Ihy, the son of Hathor and Horus, as he appears for the first time out of the primordial sea.  He was the beautiful child of brilliant light, the offspring who lights humanity with the rays of the sun and floods the land with gold. On a slightly larger barque in front of Ihy sit his mother Hathor and the goddess Isis, the procession of barque carry all the gods of the sky, surrounding them and above their heads are golden stars which represent the homes of departed souls, and the silver and golden star gates to travel back and forth between heaven and earth.

`I am a soul, I am a star of gold, Here I am, O Ra, I am your son, I am a soul, a star of Gold.’

One of my earliest childhood memories that often haunted me was the death of my great grandfather; I distinctly remember the pain of searching for him even though I was such a small child. I looked everywhere for him, eventually my search always ended under the kitchen table and I would  silently sit on the cross bars beneath a deep brown velvet curtain that trailed from above  the dining room table with its huge bulbous carved corner legs where I would silently brood. Eventually my grandmothers told me that my grandfather had gone to heaven, and if I looked up at the sky at night I would see him because he was a star now and he would shine down on me and guide me through my life. Many Years later I stood in the hypostyle hall at Dendera beneath the heavens, and I smiled and felt good, and remembered my great grandfather again and the love that he had endowed upon me. Isn’t it strange how small pieces of ancient history from the far corners of the earth filter down through the centuries of time and little sayings that we hear today can still relate to the beliefs of ancient civilizations?

Arriving at the Inner door the gradient of the floor subtly increases and I passed through into another small hypostyle hall that was even gloomier and contained six columns and had three chambers on each side. The temple was getting gloomier the deeper I went inside and the floor continued to gradually rise and led me through another door into a small hallway, in the corner of this hallway I was drawn towards a shaft of light that detailed a staircase on my right, I walked  up the steps that were no longer level,  over the centuries so many feet had climbed these stairs that the center surface sunk and seemed to sway to the sides, creating before me a stone vision of  individual waves rolling on the crest of the sea, so I walked up the staircase carefully and once I arrived at the top   a sudden turn was made,  I proceeded to follow this new flight of giddy steps, and in the gloomy light I had a strange feeling  that I wasn’t alone , a square shaft of light enhanced the wall and I then saw at the side of me on each step continuing up the stairs in  raised relief was a priest, so I stopped in wonder for a few minutes to look at the procession of priests as they continued up the stairs, the lighting was so subdued I  could not safely continue to walk up the steps and look at the same time, gently I touched the relief as would a blind man to hold  a vision in my mind, the higher I climbed the more I experienced feelings of elation, the  relief’s portrayed the New Year celebration and some of the priests wore strange masks and carried offerings and  the shrine of Hathor up the staircase towards the roof to await a very special dawn, as the procession walked up this staircase the priests would have chanted prayers for Hathor.

Coming out into the brightness of the daylight I adjusted my eyes and then I walked over to the small chapel in the corner, this was where the priests placed the shrine of Hathor in the final hours before the dawn to wait for the star Sothis that would rise once a year with the dawn, on one of the most important days of the Ancient Egyptian Calendar. For seventy days Sirius, one of the brightest stars would not have been seen, it was the symbol of the goddess Isis in the heavens, on the first dawn after the seventieth day she rises again with the sun and remains visible for just a few moments, this special moment marks the beginning of the Ancient Egyptian New year, and it also marked the beginning of the annual flood of the River Nile.  At the end of this day the goddess Hathor like the setting sun was then taken across the roof to the opposite staircase and delivered safely back to her sanctuary within the temple. Walking across the roof diagonally to the opposite corner I entered into the small chapel dedicated to the god Osiris, within the middle room  the famous circular zodiac ceiling is portrayed, the Romans had incorporated their own beliefs with the Egyptians to create this amazing ceiling, which is one of the earliest representations of the zodiac ever to be found, the original is no longer at Dendera it was blasted off the ceiling after Napoleons expedition had brought it to the attention of the world, In 1821 an antiquities collector employed a French engineer who came to remove and collect the zodiac ceiling, it arrived in Paris in 1822 and was put on show until King Louis XV111 bought it for 150.000 francs, a plaster cast impression of the original is all that is now left at Dendera, the original is now on show in the Louvre Museum. There is a circle of the heavens that is supported by four feminine figures standing erect at the four corners of the cardinal points of the earth, within the heavens we can see the zodiac representations that almost appear to swirl around as the earth revolves.

Leaving the roof I walked towards the western staircase and as a shaft of light captured the relief’s of the priests I joined them on their journey back down the steps leading down into the Inner sanctuary of the Temple again to return the goddess Hathor who was now bursting with new life and health having spent New Years Day on the roof soaking up the rays of the Sun to rejuvenate her Ka, and the vibrations of the Nile would evoke the inundation of Egypt. The temple was filled with music from the sistra rattle whose bells on each of the four bars of the sistrum were tuned to the specific vibration of one of the four elements of nature, playing the sistrum the beautiful priestesses symbolized Hathor’s generative powers and her ability to keep the world in harmony and balance and ward off all evil influences.

Arriving downstairs I wandered through the small sanctuaries and arrived at the Flame room which has an entrance in the floor to the secret crypts. I went down the steep wooden staircase, and had to virtually crawl under a small square entrance that open up into a small narrow passage that in turn opened up to the same narrow  chambers, the lighting seemed to glow an iridescent green, in this crypt an unusual relief shows what many people believe to be a light bulb.



Coming out of the crypt  I continued through the small sanctuaries where I found a room that represents the Seven Hathor’s,  three carry tambourines and four carry sistra, it was said that when a child was born the seven Hathor’s arrived at the birth and proclaimed the fate of the child.

I decided to look around the exterior of the temple and as I emerged into the light I shaded my eyes from a dazzling sun and a turquoise sky, walking around the outside of the temple I was disappointed to find many of the relief’s have been vandalized, where faces and bodies have been hacked and chipped away on the relief’s of the lower sections, occasionally a lions head leaps out from the edge of the roof which somehow seems odd on an Egyptian temple, but then I reminded myself that this temple has the Greek and then Roman influence. Turning the corner of the back wall I had arrived at the only relief of the most famous Queen of all, Cleopatra, I looked up to see her with her son Caesarion, I had created such a vivid impression in my mind of a beautiful woman, an untouchable warrior almost, and to be honest I was disappointed when I saw her relief, compared to many of the stunning relief’s in the temples of both the East and West bank of Luxor it did not befit the image I had created in my mind or recreate an  inspiring relief of one of the most famous women in the world, Disappointed I followed the wall along to the far corner where The Goddess Hathor with her son Ihy faced Cleopatra, going around the corner I followed the side wall where my enthusiasm increased as the relief’s were untouched, beautiful and unspoilt once more, and they portrayed the harvest festival, where  the beautiful goddess Sekhet, the goddess of the fields brings the produce of the land to the temple, she walked through the fields of wheat Papyrus and lotus, small geese fly from the ground whilst she follows a calf, her breath has the  scent of flowers and she is adorned with Lotus blossoms, and in her arms she carries Lotus geese fruits and wine.  All temples survived on the produce of the land, and the produce of the harvest Festival at Dendera proceeded the most spectacular festival known as the Festival of The Beautiful embrace where once a year after the harvest, the Divine Statue of the Goddess Hathor’s barque was loaded with the produce of the fields in preparation for the visit she made to see her Husband the God Horus at his earthly home the Temple Of Edfu. In splendid celebration Hathor was carried from her sanctuary within Dendera and greeted by all important dignitaries and priests, the locals were allowed to join this celebration, then gently her splendid barque that was known as ‘Great of Love’ carried her upstream where she was joined by a flotilla of barques until she arrived at Karnack Temple, where she would stay for a few days to visit the Goddess Mut, the wife of Amun Ra, where they held the festival of Drunkenness', more barques joined her flotilla as she left Karnack to continue her journey, Her Husband Horus would leave his temple and head downstream to greet her and in glorious celebration he would escort his wife to his home of Edfu Temple to  begin  fourteen days of joyous celebration where their sacred marriage was enacted once more and their son Ihy was conceived. From his own Barque Horus greets his wife Hathor, surrounded by a flotilla of Boats, once on shore, they join together, the procession continues on foot, around the city, the chantress, the Sistrum players, the dancers, all the people join in, they chant for her: "Hail Hathor, welcome in peace With your beautiful face, happy face، your beauty has captured the heart of Horus,The beautiful one has arrived from Dendera to Edfu, let her joy and beauty shine over Edfu, Oh you who carry the barque shrine, be careful, she's the daughter of Ra who adores her, she's his eye and we'll, mother of gods and creator of life Oh be careful Walk slowly and in order, you are aware of her Anger, she's the destroyer of the enemies of Ra, Let her beauty bring back the flood, she's the goddess of joy, love, music and all blessings for all the living

Each day throughout the waxing moon the same set of ceremonies were carefully performed. It was felt that on the evening of the fourth day Ihy, the son of Horus and Hathor, was conceived .Then on the day of the full moon Hathor bid Horus farewell and began her return journey to her own temple once more.
My own short trip to the temple of Hathor had come to an end,  and we joined the cruise boat once more where a fantastic banquet was waiting for us The afternoon wore on and the sky changed from cool turquoise to slight amber then burning copper with burning flames of orange, the west bank became serene and the village life quiet,  The Nile had turned black, with glints of diamonds that flashed occasionally in its ripples as they drifted towards a now secretive west embankment that was interspersed occasionally with the occasional dark outline shadows of  houses and  palm trees,  the Goddess Nut embraced  her husband Geb the god of the earth and it was evening once more,  it was now time for Ra to begin his  evening  journey  through the treacherous underworld on his celestial boat.

My journey up the river had drawn to a close as we reached the bend in the river and Luxor came into view once more. Oh what a homecoming, what a wonderful sight to greet my eyes, In this serene evening on the river the temple of Luxor bathed in shining golden light, it was magnificent as its reflection echoed within the ripples of the  darkest edges of the river, as our boat gently eased its way towards the shore, it was embraced by the vivaciousness and warmth that is Luxor  glowing with the  heat of the night and bursting  with life along the Corniche, at that moment I realized how the French troops had been amazed by the sight of Karnack Temple, they had immediately stood to attention and saluted to a drum roll. Two centuries later our boat peacefully glided towards the lights of the east bank like a moth to a flame to the ethereal sounds of pan pipes that hauntingly echoed over the cool evening breeze across the deck of our boat. Tomorrow my journey into the past would end and I would return home once more to a land that held no mysteries for me, my spirit had soar and  grown and was fulfilled in the land of Eternity. It had entered the River Nile but like a small ripple it was lost in the overwhelming flow of the river that has immortalized and sustained the civilization of Ancient Egypt.