Monday 14 December 2020

Hossam Dirar - Egyptian Artist - The Nefertiti Collection

 Queen Nefertiti was the Great Royal wife of Akhenaten, a revolutionary pharaoh, that tried to change thousands of years of Ancient Egyptian belief of worshiping many Gods, he insisted that his people should only worship one God, the Aten. During his reign he closed all the temples of the various Gods, and moved his capital into the desert. During his reign a new beautiful art style was created called Armarna Art. Akhenaten was a man of peace, and obviously adored his wife Nefertiti and their children, he offered Nefertari the honor of being represented with him in full size in relief's, not the usual pharaonic half size, Akhenaten's changes almost brought Egypt to the brink of disaster, and through all his revolutionary changes Nefertiti stood firmly by his side

Hossam has created a stunning series of paintings of the amazingly graceful and beautiful Nefertiti whose name actually means 'the beautiful one has come'

Hossam is not just celebrating Nefertiti's beauty, he has given her the status of a Goddess as a woman, by painting her with the wings of the Goddess Isis




Hossam paints Nefertiti in various poses and colors, one of my favorite paintings is where she wears a vibrant red dress, emphasizing Nefertiti's power and confidence. She wears a large golden Ankh necklace, this is the Ancient Egyptian Symbol for Regeneration and Eternal life, it offers a doorway to eternity. The Ancient Egyptians believed that when a person died, if their name was spoken it would offer them eternal life. Hossam's amazing art has brought Nefertiti from the past, thousands of years into the future,  to empower modern women




Hossam expresses the elegant and mysterious beauty of Queen Nefertiti, he expresses his feelings that ' Nefertiti would empower women to take a stand for their beliefs, and that she would encourage women to move out of the shadows'.

Another of my favorite paintings is Nefertiti wearing a white dress, and holding a bouquet of flowers, this painting has given Nefertiti an untouchable purity showing her as a bride.




Hossam finds some of his inspiration from another of my favorite symbolist painters, an Austrian named Gustav Klimt, whose art was exceptional, he was a revolutionary modern artist during the period in time that he lived 1862-1918, he mixed images of women so skillfully painted that they had a photographic quality, and their clothes he used patterns and symbolism. Klimt was also interested in ancient Egypt, and used many of their symbols in his paintings of women.




Contact Hossam Dirar on Facebook : Hossam Dirar

info@hossamdirar.com

http:/www.hossamdirar.com

https://www.youtube.com/watch?v=CfI5Gg4KDic&feature=youtu.be



Wednesday 9 December 2020

Alaa Awad - Egyptian Painter and Muralist Inspired by Ancient Egyptian symbolic art

Alaa Awad said 'To understand who we are, we must first know where we come from'

The Egyptian Revolution inspired some of the world's most expressive graffiti to be created on the walls of Tahir Square in Cairo, this is where Alaa Awads art exploded publicly. Alaa was one of the most vibrant symbolic artists that encouraged a down trodden nation to rise up again.


His art is inspired by Ancient Egyptian tomb and Temple reliefs. All ancient Egyptian art was symbolic, Alaa creates his murals with stylized figures of men and women marching strong and bold again like representations of the ancient pharaohs. His wish is to celebrate mankind and install todays Egyptians with a renewed sense of pride, peace, and justice.


'The Victory' mosaic was designed by Alaa, and was created with a a team under the supervision of Prof. Mohammed Oraby. The team consisted of of students and instructors from South Valley University Faculty of Arts, Department of Mural painting. This mosaic mural was inspired by the battle scenes from the walls of Medinet Habu, the mortuary temple of Ramses 111. The mosaic took over one year to complete and can be found at South Valley University Campus in Quena, Egypt, where Dr. Alaa Awad is a professor

Alaa is proud of his Egyptian culture and by watching the celebrations of the Sufi just before Ramadan, he has immersed himself into their traditional martial arts, to express his work, expressing the celebrations with crowds of men riding horses with stick fighting and dancing


Alaa embraces the essence of the strong women, the Pharaonic Queens, and Ancient Egyptian Goddesses, his art inspires the modern Egyptian women to be great once more, and assert their talents, and their role in society, his work promotes their rights.


'Painting contributes to society by introducing beauty and art into peoples lives. Art mirrors society's civilization, because art and civilization go hand in hand. We have a great civilization that could really help us avoid disasters and make great art' - Alaa Awaad

Contact Alaa Awad :  info@alaa-awad.com

website : http://alaa-awad.com

Facebook : Alaa Awad

Tuesday 8 December 2020

Caravan Exhibition Egyptian Contemporary Artists - Dr. Reda Abdel Rahman & Marwa Adel

I could not imagine Egypt without seeing Donkeys, they are everywhere, and used in all aspects of Egyptian life. In the fields, in the streets, for tourism. I have seen sugar cane fields full of all different colored donkeys, where six year old children ride the donkeys sat on top of the sugar cane leaves, it was an amazing sight, and I have seen the harsh life of the donkey that stumbles under  the weight of a mountain of bricks for  the building trade, I have seen donkeys beaten for no fault of their own, which really distressed me. In many aspects of Egyptian life the Donkey is a beast of burden, and if he is lucky he will have a good master, many donkeys are not so lucky. In both the Christian and Moslem religion the donkey is held as a symbol of peace and compassion, the donkey carried our Lord Jesus Christ with Mary and Joseph, as they fled into Egypt

In 2013  the Egyptian Contemporary Artist Dr. Reda Abdel Rahman sculpted the form of the donkey, which was then shipped to Malta to be  reproduced in fiberglass forms for artists to paint for the Caravan Festival in Cairo.

An American Reverend named Chandler suggested the exhibition as an the objective of building bridges of understanding, respect, and friendship between East and West, and between Muslims and Christians and so he commissioned Egyptian artist Reda Abd El Rahman to create 90 life-sized and quarter-sized fiberglass donkeys and invited 45 Egyptian and foreign artists to transform them into their own personal visions



Egyptian artist Reda Abd El Rahman, used his art to attack those he holds responsible for the deaths of protestors during Egypt’s revolution, his donkey is created wearing shiny black shoes on its hooves and with the head of a bearded man wearing wire rimmed glasses—he is Muslim, indicted by the prayer callous on his forehead, I am a Christian, but loved and respected  my Muslim Husband, because he was a man who prayed and had a faith and he was also a man of peace who everyone turned to to dispel arguments., I remember one day rubbing cream on a dark patch on his forehead, and he asked me what I was doing, so I told him you have a dark patch on your forehead I'm trying to blend it in for you, Lorraine, he said, 'that is my prayer spot and it is from here that my soul will leave my body when I die,' imagine my embarrassment ! Returning to Reda's donkey he was drawn to express his art by saying he was drawn to show the connection between the Donkey and the Egyptian citizens who are crushed and poor. The face is not one person but representative 'of an unhealthy troika: financial authority and the religious fascism and military mafia. I hold them responsible for all the Egyptians who died during the revolution.' Abd El Rahman's donkey also evokes a post-revolution version of the tale of the Emperor's new clothes, as the creature wears a businessman’s suit jacket, while the rear quarters wear camouflage pants and army boots.

I love the art work of Marwa Adel who explores in most of her art the human body, identity, cultural and social taboos, through photographic art.  In the Middle Eastern Society the physical body is a word surrounded by restrictions, Marwa  feels that our bodies are the medium that links us to this world, and reflects our souls.

In creating her donkey Marwa was influenced by peace, she  said she remembers the hours she spent drawing her favorite subjects as a child, so she decided to decorate her donkey with angels, birds, horoscope symbols, and flowers. 'Those drawings took me away from reality' she says. 'I wanted to represent what makes me feel peace'

the renaissance donkey

 

 










Friday 4 December 2020

Nefertari the Beloved Great Queen of Ramses the Great

Rameses the Great adored his Great Royal Wife Nefertari Mery-en-Mut, whose name means ‘most beautiful, beloved of the goddess Mut’, Ramses wrote this  poem for her on the wall of the stunning tomb that he had created for her at Ta set Neferu, 'the Place of Beauty' :

My love is unique, no-one can rival her,

for she is the most beautiful woman alive,

Just by passing, she has stolen my heart,

she who fills the colonnades and halls

with her perfume from the Land of |Punt,

Her perfect breast is covered in the finest linen,

Gold is nothing compared to her arms,

Her skin is as fair and soft as milk,

Her hair is the colour of the dark eclipse

Beautiful of face

My love for her is unique, no-one can rival her,

She is the most beautiful woman in the world

Beloved of Mut, Nefertari.


 Ramses father gave him his own Harem, it was no shame to be a member of a harem, the ladies were made up of the daughters of noble families, and princesses from foreign lands, and it was here that Ramses met Nefertari, whom he married when he was sixteen.
Ramses came to rule in the harvest of 1279, and he ruled for 66 years, he was the third pharaoh of the 19th dynasty during the New Kingdom period, and he is regarded as the greatest, most celebrated and the most powerful pharaoh of that period, his titles were : The Justice of Ra is powerful chosen of Ra, Re has fashioned him beloved of Amun, the Srong bull, beloved of right and truth. Protector of Egypt who curbs foreign lands, rich in great years great in victory.

Ramses had 8 other wives, but Nefertari was his beloved and favourite wife, and she bore him six children. Amun-her-khepeshef who became the Crown prince and commander of the troops, prince Pareherwenemef, prince Meryattum, Prince Meryre, and Princess Meritamen and Henettawy

During the 5th year of his reign Ramses went into war at the  Battle of Kaddesh, many temples show his victories in battle. Whilst Ramses was away Nefertari his Great Royal Wife ruled Egypt. During the time that Ramses was away a small group of Hittites entered Egypt, and arrived at the Rammessium Temple to kidnap Nefertari, fortunately her own guards prevented the abduction. A few years after the war was over Nefertari used her intellegence and skills as a diplomat to maintain peace between the Hittities and Egypt. Nefertari wrote many letters to the Hittitie Queen and they exchanged regular gifts, Nefertari also encouraged Ramses to marry a Hittite Princess to cement the goodwill between the countries.


The Hittites and Ramses made a peace treaty, and a copy of it is on the walls at the United Nations Building it records : Ramses Great King of Egypt is in good peace and brotherhood with  Hattusili Great King.....


During the year 1244 Ramses began the construction of the Temples of Abu Simbel in Nubia, the temples were carved into the mountainside, and twice a year, on the days of Ramses Coronation and Birth, October 22 and February 22 the sunlight shines at dawn in a direct line into the inner sanctuary of Ramses temple and lights up the figures of Ramses sat with the Gods, Many people visit Abu Simbel on these two days as a big celebration is held here



The Temples of Abu Simbel are situated at the furthest point of Egyptian supremacy, and it is here that Ramses shows his ultimate respect and love for Nefertari, because at the side of his mighty temple, he created another smaller temple that he dedicated to Nefertari and the Goddess Hathor. On the exterior of the temple he placed images of himself and images of Nefertari at the same height as himself, so in effect he was declaring to the world that he considered Nefertari as his Equal, no other Egyptian King has ever paid his wife this compliment


In the 24th year of Ramses Rule Nefertari went with Ramses to see the Temple at Abu Simbel, but she died shortly after this visit and so she was buried in the wonderful tomb that Ramses had created for her in the southern desert area of Taa Set Neferu 'the Place of Beauty' a gorge where Kings buried their dearest wives and children.

The tomb was rediscovered by an Italian Egyptologist named Ernest Schiaparelli in 1904, when he entered the tomb only a few fragments of Nefertari's possessions remained.

Ramses wrote on Nefertari's tomb walls :
The Princess Rich in grace
Lady of Affection
Sweet with love
Mistress of the two lands
Songstress of the beautiful countenance
Greatest in the Harem of the lord of the Palace
All you have said will be done for you
Everything beautiful according to your wish

When you enter a tomb, you are entering into the realm of the Egyptian God Osiris, who is the God of the Underworld. During the 12 hours of the night Nefertari had a perilous journey to undertake, she had to cross over a new gate each hour that was guarded by demons & monsters, she had to fight off the Apophis snake that sawm in the waters of chaos, and then she had to stand before the God Osiris with many other Gods where her heart would be placed on a set of scales against the feather of Maat the Goddess of justice and truth to see if she had lead a just and honest life, and deserved to live for eternity, if thee scales didn't balance her heart would have been devoured by an Ammit, a fearsome creature with the head of a crocodile and the body of a hippopotamus, both very dangerous creatures in Ancient Egypt, and she would simply cease to exist.




As Nefertari is about to step into the world of the dead, the Goddess Isis holds her hand to guide her, and she places an ankh at Nefertari's nostrils, the ankh is the hieroglyph of breath life and spirit, it is a potent symbol representing the union of male and female and earth and heaven  It offers the gift of immortality, Nefertari does not expire or exhale, but inhales the breath of life.

The Djed Column is shown on the pillars and walls in Nefertari's tomb, the Djed is symbolic of the backbone of the God Osiris, it is a representation of stability, and when used in tombs it helped the soul to stand up again and walk into the afterlife. This Djed holds the keys of life and two was sceptres, which are symbolic of Royal Power


The ceilings in Nefertari's tomb are amazing and a vivid dark blue for the night sky and covered in stars, these represent astral sentinels who never sink below the horizon and were a representation with the souls of gods and beings who had survived  the perilous passage through death to the beyond.

Th tragedy of Nefertari's tomb was that it had been robbed and only a few items of no real value were found inside the tomb, but the worst sacrilege was what happened to Nefertari herself. Only a pair of legs broken into pieces from the knees down remained of her mummy and were found in her tomb.

The Ancient Egyptians created temples and tombs and wrote spells and the history of the person, as they believed that if a persons name was spoken, that person would live again, so it is my wish that if you enter Nefertari's tomb, please say a silent prayer for her, and utter her name once more.






Friday 27 November 2020

The Power struggles Between Ramses X1 and the High Priest of Amun - Amenhotep

 When I saw this photograph I was intrigued and decided that I had to find out more about it, because it is such an unusual image of the King Ramses X1 in the company of the High Priest of Amun named Amenhotep. The scene is at Karnak Temple on the 8th Pylon facing the sacred lake. Amenhotep was the High Priest of Amun towards the end of the Twentieth Dynasty of Egypt, serving under Ramesses IX, Ramesses X and Ramesses XI



 In all temple and tomb reliefs the king is always shown in large relief compared to his subjects or enemies, this symbolically portrays his strength, power and influence, so to see a priest represented as tall as the King indicates  the unusual deterioration of the Kings authority and the rise in power of the Priests of Amun. The Relief shows Amenhotep celebrating as he is being dressed by symbolically smaller men, and Ramses X1 is awarding him with gold and necklaces. Amenhotep wasn't always in favour with the king, as he was ousted from office by the king with the aid of Nubian soldiers under command of Pinehesy, Viceroy of Nubia, for overstepping his authority.  This action is often referred to as 'the war against the High Priest' or 'the suppression of the High Priest Amenhotep'.

Ramses XI  was the tenth and final king of the 20th dynasty of Egypt. He ruled Egypt for approximately 29-33  years, during his reign the state of Egypt declined, with civil conflicts chaos and insecurity. Tomb robbery was prevalent all over Waset  (Thebes) as Egypt's fortunes declined and her Asiatic empire was lost. At Medinet Habu the Mortuary Temple of Ramses 111 they held a Kebnet (court) where court cases were held for the tomb robberies.

Ramesses XI died in obscurity his tomb (KV4) that had been prepared for him in the Valley of the Kings was left unfinished as Ramesses XI instead arranged to have himself buried away from Waset, after his death the workers village of Dier El Medina was abandoned as there was no further need for it's services in Waset

From the 21st dynasty the High priests of Amun held such power and influence that they were effectively the rulers of Upper Egypt from 1080 to c. 943 BC. They owned two-thirds of all the temple lands in Egypt and 90 percent of her ships plus many other resources, consequently, the Amun priests were as powerful as a Pharaoh

I would like to thank Mohamed M Fawey & Shahhat Wannan excellent Egyptologists & Tour Guides in Luxor for their advice and help for my research into this BLOG


Sunday 27 September 2020

Amenhotep 111 in Luxor Temple, the Colossi of Memnon and Malkata Palace

Amenhotep 111 of the 18th Dynasty, his name means 'Amun is Satisfied', was also known as Amenhotep the Magnificent, He ruled over Egypt for almost 40 years,  with his vast wealth brought into the country from his Grandfather Tutmosis 111, he built enormous temples and a palace on the West bank. 

Amenhotep became king at around the age of 12 after the death of his father Tuthmosis IV,  his mother Mutemwia acted as his regent. Early in his reign Amenhotep married for love,  the Daughter of a Chariot Officer, who became Queen Tiy. Both Amenhotep's mother and wife join him at the side of his legs on the Colossi of Memnon, these two huge statues originally stood in front of Amenhotep's Mortuary Temple, which was originally the largest Mortuary Temple on the West Bank. The Temple was destroyed by the Nile Floods, an earthquake in 24 BC, and also other kings using his blocks to build their own temples. 




Until the Aswan Dam was built to control the Nile floods, the Temple and Colossi were inundated with water every year. The Ancient Greeks gave Amenophis' colossi the name the Colossi of Memnon, as one of the statues would sing at dawn, which at that time was a phenomena, the Greeks thought it was the Goddess Eos crying for her son Agamemnon at Dawn, many people made a pilgrimage to the Colossi, the right foot is covered in graffitti.

Amenhotep also built his palace on the West Bank, the walls of the  palace of Malkata, which now lies in ruins, was covered with delicate paintings of animals, flowers and the reed beds of the Nile, it was made of mud brick, which is why  it didn't stand the test of time, the desert is littered with it's ruins,  when it was completed, it was the largest royal residence in Egypt and was known as Per-Hay "House of Rejoicing'. The area where the Palace stood in the desert close to the Mortuary Temple of Medinet Habu is now known as Malkata, meaning the place where things are picked up in Arabic. The palace was built in the 14th century BC, once completed, it was the largest royal residence in Egypt, Both Amenhoteph's Palace and his Mortuary Temple  were linked  to the Nile and allowed direct access to the king's new temple at Luxor and the great state temple of Amun at Karnak on his barque 'Aten Sparkles. Amenhotep III described his Mortuary Temple complex as 'a fortress of eternity out of good white sandstone—worked with gold throughout. Its floors were purified with silver, all of its doorways were of electrum,' which is a mix of gold and silver.

When Amenhotep III died, he left behind a country that was at the very height of its power and influence, it was wealthy and stable, his son Akhenaten brought Egypt to the brink of Disaster with his policies and worship of the One God, the Aten. Akhenaten left Malkata Palace and went into the Desert and created a new  capital city known as Akhetaten  in English transliteration  Akhetaten means 'Horizon of the Aten'. After Akhenaten's death his son Tutenhaten changed his name to Tutenkhamun and returned to Weset (luxor) and re-instated the worship of the God Amun Ra. 





In 1970 the completion of the Aswan High Dam stopped the Nile's flooding of the Colossi and Mortuary Temple, but irrigation of the near agricultural fields have caused salt water damage instead, so a drainage system was built to minimize the quantity of damaging saltwater reaching the temple site. For over the the last twenty years archaeologists have worked on the land behind the Colossi of Memnon, these colossi seemed to be all that was left  of Amenhotep's Mortuary Temple, but amazingly  excavations have uncovered this giant head of Amenhotep, and  the missing forearm of one of the colossi of Memnon, as well as fragments of the figure’s pleated kilt-like skirt and throne. 




There have been many statues of the Goddess Sekhmet found on site, 730 so far, Sekhmet, goddess of transformation, and of solar feminine fire, compassionate healer, the fierce protector of the King is once again sitting imperious, observing the work around her.

A beautiful Alabaster statue of Amenhotep's Royal Wife Tiy, the Grandmother of Tutenkhamun has also been found by Archaeologists. This is Queen Tiy standing at the side of Amenhotep's leg on the Colossi of Memnon.




Part of the building work that Amenhotep created was the large Festival Hall of Luxor Temple which is surrounded by  64  papyrus columns, to be used for the celebrations of the Opet Festival each year just before the flood season when Egyptians eagerly anticipated the coming of Akhet, the flooding season. Meaning 'inundation,' Akhet was the all-important time when the Nile’s floodwaters replenished the land and restored Egypt’s fertility. This time of joyous renewal was also when ancient Egypt held one of its most spectacular and most mysterious festivals: the Feast of Opet. where both the King & Egypt were symbolically renewed. To the rear of the temple behind the Festival hall are Chapels, I walked through a doorway into a suite of rooms that represent the bedroom of Amun where the festival rituals took place, and here the pharaoh  retired to the Birth Room, from which he would later  emerge symbolically re-born and restored. The statues of the king’s ka were no longer on display because the ka was now believed to have taken residence in the pharaoh’s body.  Reliefs in the birth room represent Amon choosing the Queen Mutemweje to give birth to his Divine son. He sent Thoth with the message to the queen and ordered Khnum to create an image of himself on his potter’s wheel. The fingers of the god Amun are shown to touch those of the queen She awoke because of the god’s scent and cried out with pleasure before his majesty. … She rejoiced at the sight of his beauty, and love of him suffused her body. …'How great is your power!'… Your dew permeates all my limbs,' and so the boy child Amenhotep was born into the world created by Amun and then crowned as the King. I realized the similarity of this sequence of events of this ancient Egyptian relief as it compares to our Christmas story of the angel coming to visit Mary to tell her that she will give birth to the son of God. As the Royal scribe Ani said; 'God reveals himself in millions of forms'





The Tomb of Nefatari, the God Ptah, and the meaning of the Djed Pillar

 In this photograph taken from the Tomb of Nefetari, the great Royal wife of Ramses the Great, we can see a beautiful night sky ceiling covered with stars, these represent departed spirits, and like the stars at night they are eternal. Nefertari is offering the God Ptah Linen, so that there will be enough Linen for her mummy coverings. The God Ptah created himself out of the void and then created the physical Universe to live in. He is attributed with creating many of the other original gods, the heavens and the Earth



Ptah always carries a staff that bears the symbols that combines the ankh which is the symbol for Life with the djed, which is a column of horizontal lines beneath it which represents the human spine and stability. The Egyptian cosmology was centered around maintaining order and balance against the forces of chaos, so Ptah's identification with life and stability is significant. He created existence, and he helps to maintain its balance.

Behind Ptah is the Djed Pillar which represents the Spine or Backbone of the God Osiris, it symbolizes strength, the ancient Egyptians recognized the importance of the spine and it was a symbol to help the God Osiris stand firm with strength in the afterlife, Osiris had been murdered by his jelous brother, the God Set, his wife Isis searched all over Egypt for many years to find all the parts of his body that set had dismembered and cast across all of Egypt to deny Osiris an afterlife, Isis finally found all the body parts of Osiris and with her magic she resurrected her beloved husband. The God Ra said Osiris couldn't walk the earth with mortal men, and so he made him the God of the Underworld.


Wednesday 23 September 2020

The Ankh - The Key of Life

 


Sekhmet, goddess of transformation, and of solar feminine fire, compassionate healer, fierce protector offers The Ankh also known as the Key of Life to the King. The Ankh can be seen on all the temple walls and across the walls of the Tombs, where the Gods offer the kings the breath of Life. The Ankh represents the concept of Eternal Life. It can be used as a porthole or mirror to the afterlife, and serves as a communication to the divine. The Ankh offers spiritual healing and protection against bad energies



Friday 14 August 2020

The Symbolism of the Lotus Flower in Ancient Egypt


The lotus was the only flowering plant in Egypt that bloomed continuously throughout the year. Because of this, the blue lotus became a natural solar symbol and was corresponded to the process of creation and the continuance of life. The gods and goddesses of Egypt were said to naturally exude divine scent from their bodies. So it followed in daily life that by being fragrant an individual emulated their deities. The lotus is symbolized in all Egytian temples tombs and artwork.

In many temples and tombs you will see ancient Egyptian kings offering the scent of the lotus to the gods.The Ancient Egyptians believed that a giant lotus blossom was the first expression of living form to emerge from the primordial waters of Nun. Then from this flower the sun-god  came forth. The Lotus was also considered as an aphrodisiac, a substance that increases sexual desire and sexual pleasure 


This is my photograph of the Goddess Sekhet bringing the Harvest of the fields to Dendera Temple, and it shows that her divine breath is that of flowers, she has a garland of Lotus flowers wrapped around her arm that she brings to the Temple

Among the treasures found in the tomb of Tutankhamun was a beautiful wooden carving of the head of the young king as a boy of about nine or ten years of age. 



This beautiful sculpture depicts Tutankhamun as the Reborn Child, or Sun God rising from the petals of the sacred blue lotus, and represents 'He who emerged from the lotus upon the High Mound, who illumines with his eyes, the Two Lands.'. When Tutenkhamun's sarcophagi was opened his mummy was covered in Lotus Blossoms.

In Egyptian banquets flower heads of the lotus were soaked in wine to prepare a special intoxicating and fragrant drink for banquets and festivals. In ancient Egypt the root of the lotus could be eaten raw or cooked to the consistency of egg yolk. Its seeds were ground into flour for bread. Their herbalists used a concoction of the lotus to increase libido. Lotus seeds and pods were used as antidotes to love spells, and any part of the lotus carried upon the person ensured divine blessing and good fortune. The scenes on tomb and temple walls where the recipient is offered a  blue lotus inhalation has been proven by research that the scent has an impact on the human brain which leads to a state of mental relaxation that enables a human being to reach what is known as 'enlightenment ' a moment expressed between sleep and vigilance.This is my photograph of Ramses 11 offering the Goddess Hathor the Blue Lotus at the Rammessium, his Mortuary Temple. 


Thursday 13 August 2020

The Eye of Horus & the Eye of Ra

The left eye is the  Eye of Horus, it is one of healing and regeneration, it promises divine intention and protection from the Gods. It represents the Moon. Horus was an Ancient Egyptian God and was usually shown with the head of a Falcon, he was associated with the heavens.

There is an ancient myth in which a battle between Horus and his brother the God Set, took place as to who would rule Egypt after the death of their father Osiris, during the battle Set gouged out Horus's left eye.When Horus's eye was recovered, he offered it to his father, Osiris, in hopes of restoring his life, and from then on the eye of Horus was often used to symbolize sacrifice, healing, restoration, and protection. During this battle, Set lost his testicles. Thoth, who is known as the Egyptian God of wisdom, restored Horus’eye. It was at this point, that it was given the name Wadjet. This myth also shows the relation to the waxing and waning cycles of the moon.. 

The right eye is the Eye of Ra, and is associated with the Sun. The Symbol is worn to protect from Evil spirits. is a symbol of protection erupting from power fury and violence, it is a source of great light and warmth and can also be equated with fire or with the magical appearance of a pink horizon over the land of Egypt.


Funerary amulets were often made in the shape of the Eye of Horus. The Symbol was intended to protect the pharaoh in the afterlife, and to ward off evil.


Friday 7 August 2020

A Tour Guide from Luxor who can actually read the Hieroglyphic Text

I do not live in Luxor anymore, but I would like
to introduce you
to an Excellent Tour Guide who has 24 Years of Experience and a High Diploma of Tour Guidance, and who lives in Luxor, but who is able to take guests to Visit Any Part of Egypt that they would wish to see. 

Have you ever wondered what the Hieroglyphics in the Temples say ? Then Look no further as Shahhat has the Answers for you. 

Unlike many Tour Guides he can actually read the Gods Word's written in the Tombs and Temples bringing thousands of years of silence to life again.

Shahhat Wannan  speaks perfect English and has an English Literature Degree, A High Diploma of Archaeology,  And a Master studying of Archaeology, he is a very educated well spoken and has a lovely sense of humor and a real passion for the history of Ancient Egypt.

This is Shahhat in KV 6 - the Tomb of Ramses 1X

I do Hope that you have a wonderful time Exploring all the Amazing Temples & Tombs in Luxor with Shahhat Wannan,  a very intellectual expressive Guide, with a Passion for Ancient Egypt, these are just a few of the Temples and tombs that he will guide you through in Luxor alone, If you have a place that you would like to see the most, you have only to ask,  and remember if you want to ask any questions about a text, he will translate the hieroglyphics for you. Enjoy your experiences in Egypt - Best Wishes from Lorraine Buczel

The EAST BANK  - Where the sun rises every morning it is the side of the Living and the Earthly Homes of the Gods : 

KARNACK TEMPLE & the OPEN AIR MUSEUM  - the Earthly Home of the Major God of Ancient Egypt, Amun Ra. 

Most tours just take you around Karnack Temple where you will experience the most amazing Hypostyle hall in the center of Karnack Temple, it is the reception area of the gods, its awesome lotus columns represent the plants that came into being on the mound of creation. The lotus columns are a symbolism of Horus who was born on the waters of creation, the lotus plant represents the first sunrise on the day of creation. Each evening the lotus submerges beneath the waters, and at dawn it rises symbolically to worship the sun again, it encompasses all the forces of nature and lives in all the four elements, its roots are bound to the earth and its stem rises through water, it flourishes in the air and blooms in the sunlight.

Karnack Temple is one of the largest Religious Complexes in the world, many Kings have helped to create it over a period of 2,000 years.

Normally tour companies do not include the Open Air Museum
in their tours, so we will probably have peace to enjoy this unexplored corner of Karnack Temple to ourselves.
In this little corner you will find Barque Chapels that have been rebuilt from pieces that were found inside the third pylon after an earthquake, I think the Gods wanted to share these amazing works of art with us. You will find the Exquisite White Chapel of Sensuret 1, It has twelve pillars, one for each month, an inscription on the north corner pillar reads : 'Come in peace, O sensuret, that thou mayest see thy farther Amun Ra who loves thee, and that he may give thee kingship of the two lands '

Hatshepsut created a very impressive unusual Red Barque Chapel for Amun Ra, and we will also find two beautiful Alabaster Barque chapels inside the Open Air Museum



Luxor Temple - Created to Celebrate the Opet Festival and is a 
unique Temple as it is not the Earthly home of a God, it was created to symbolically celebrate the Re-birth of the King and Egypt every year at the Opet festival
, where the God Amun Ra, his wife Mut, and their Son Khonsu would be carried from Karnack Temple escorted by the King, down the Avenue of Sphinx to Celebrate the Opet Festival in the Festival Hall created by Amenophis 111, where the King and Egypt would be Symbolically Reborn Every Year




THE WEST BANK - where the Sun Sets each evening, here the Kings created their Mortuary Temples and their Tombs. Here you can explore the famous Valley of the Kings, Howard Carter House and recreated tomb of Tutenkhamun in his garden. The Tombs of the Nobles are exquisite and have varied themes expressing the Nobles lives, some are Vibrant, some are sombre, and we can also experience the most famous piece of Armarna Art in the Tomb of Ramose

Just A few of the Temples that you might choose to Visit on the West Bank :

MEDINET HABU - The Mortuary Temple of Ramses 111, one of the last great Rulers of Ancient Egypt. 

A Kebnet (Court) was held here, where thirty members of the  Harem were put on trial in their attempt to kill the King. They were all found guilty and told to commit suicide in front of the court or their cells. After the hearing ten judges were found guilty of entertaining the accused during the trial and they had their ears and noses cut off. Medinet Habu also celebrates the Defeat of the Sea People by Ramses 111, the Sea people had invaded Egypt at the Delta following unrest in the Mediterranean

HATSHEPSUTS TEMPLE AT DIER EL BAHARI

let the experience of this really dramatic and impressive stage like temple with its gleaming white limestone colonnades seep into your bones. The Osiris statues of Hatshepsut smile down on the traveler in amused triumph holding the flail and whip, a symbol of power and fertility. It is incredible to stand and look at this hidden place of worship, admire it's breath taking simplicity of line and at the same time try and comprehend how such things could be accomplished thousands of years ago, a beautiful temple driven into and becoming part of the sheer pink and gold rock face that rises around it. This temple is the one thing above everything that testifies the strength and determination of a woman in a male dominated world.


The Valley of the Kings & Howard Carter House

We can start our journey having a look around Howard

Carters House, to get the feel of the man who discovered the Tomb of Tutankhamun in 1922.Inside the miniature museum are many personal belongings of Howard Carter, and it is interesting to experience this little house that the most famous archaeologist of all time lived in when he was working in the Valley of the Kings.



In the Garden of the Howard Carter house a replica of Tutenkhamun's tomb has been created, showing all the treasures exactly how they would have appeared to Howard Carter when he dug a small hole and by candle light peered through the hole, 'What can you see?' asked his patron Lord Carnarvon, 'Wonderful things!' exclaimed Howard Carter



The Valley of the Kings - Across the river Nile on the western shore of Thebes, there lays a desolate winding valley that hibernates within a barren and silent city for the dead, where no life can sustain on its parched desert rocks. In ancient days this was a secret place with only one way into the valley, its dusty road was only followed by the ritual funeral entourage of ancient times, and if you go into the valley you can only return by the road that you came. The sides of the valley twist and turn and contort into a mountain that forms a natural pyramid known as 'The Quorn', like the pyramids this is a ladder to the stars and eternal life. It encloses the subterranean tombs and final resting places of the once living Gods of Ancient Egypt,  the pharaohs of The New Kingdom. 

'I am yesterday Today and Tomorrow, and I have the power to be born a second time' - The Book of the Dead.


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Wednesday 5 August 2020

The Rammessium - the Mortuary Temple of Ramses the Great, and the Ozymandias

As I walked across the courtyard Of the Rammessium, the Mortuary Temple of Ramses the Great, a mortuary temple created by Ramses so that his name would live for millions of years, another set of Osiris statues
loomed towards me in solemn silence, I realized all their heads were missing, and yet with their arms crossed holding both the flail and scepter they still affected me with their majesty and presence. 

A singular large head carved from granite appears to have dropped into the courtyard beneath their feet, it sits slightly lob-sided, and I stopped to gaze on the beautiful face of Ramses, the whisper of a smile touches the corners of a perfectly formed mouth.  I decided that the poet Shelley was wrong when he wrote in his poem ‘Ozymandias’ that the face of Ramses portrayed a sneer of cold command, with a frown and wrinkled lip, the romance of the period he lived in had created an impression of a king that was nothing like the face that gazed back at me, there was no sneer of haughty command that his poem described, so I smiled back at Ramses and I felt he acknowledged my affection. Standing there I suddenly realized that I wasn’t alone, an elderly attendant  had come to stand beside me, he then walked towards  the head, he pointed and gestured to my camera,  his hands telling me what his words could not, he created an imaginary frame with his hands around the head, all the time pointing to my camera, a large grin  then escaped on his face and the laughter lines crinkled around his eyes, ‘Action!’ he suddenly declared,  I was so surprised I had to laugh, it seemed so comical to find my own film director, come action scene camera assistant within the grounds of a temple, and so having taken my photo I followed  him with good humor  to see all that he wanted to show me.

He took me up a flight of steps at the side of the Osiris Statues and pointed to the Back of a Granite seated statue, and carved into the cartouche of Ramses was the Name ' Belzoni 1816.' Giovanni Belzonni had taken this head that had fallen off the statue under instructions from a diplomat called Salt, who then sold the head to the British Museum where it is still on display today, the photograph above is the twin head taken from the statue that sits on the opposite side of the steps.

Sekhet the Goddess of the Fields & the Feast of the Beautiful Embrace

At Dendera Temple, many of the Reliefs had been vandalized
by early Christians to eradicate the powers of the Ancient Egyptian Gods, but fortunately for me I followed all the way around the exterior of the Temple where my enthusiasm increased as the relief’s were untouched, beautiful and unspoiled once more, and they portrayed the harvest festival, where  the beautiful goddess Sekhet, the goddess of the fields brings the produce of the land to the temple, Above her head are three sheafs of Wheat, to show that she is the Goddess of the Fields, she walks through the fields to the Temple with offerings of Papyrus and lotus, small geese fly from the ground whilst she follows a calf, her breath has the  scent of flowers and she is adorned with Lotus blossoms, a sacred flower of Ancient Egypt, and in her arms she carries Lotus geese fruits and wine.  


All temples survived on the produce of the land, and the produce of the harvest Festival at Dendera proceeded the most spectacular festival that was known as the Festival of The Beautiful embrace where once a year after the harvest, the Goddess Hathor’s barque was loaded with the produce of the fields in preparation for the visit she made to see her Husband the God Horus at his earthly home the Temple Of Edfu. In splendid celebration Hathor was carried from her sanctuary within Dendera and greeted by all important dignitaries and priests, the locals were allowed to join this celebration,  then   gently her splendid barque that was known as ‘Great of Love’ carried her upstream where she was joined by a flotilla of barques until she arrived at Karnack Temple, where she would stay for a few days to visit the Goddess Mut, the wife of Amun Ra, more barques joined her flotilla as she left Karnack to continue her journey, Her Husband Horus would leave his temple and head downstream to greet her and in glorious celebration he would escort his wife to his home of Edfu Temple to  begin  fourteen days of joyous celebration where their sacred marriage was enacted once more and their son Ihy was conceived.

Tuesday 4 August 2020

Seti 1 Sed Festival and the Tree of Life in Karnack Temple

As I wandered through the columns in the Hypostyle Hall in Karnack Temple, I arrived at a side entrance in the hall, along this wall the Sed festival of Seti 1 is celebrated, from here Seti invites the gods into the house. 

Thoth the God of  the Moon, Magic, writing and wisdom stands behind
the king who kneels beneath the tree of Life, Thoth has a lean sturdy body but his head is that of an ibis bird whose long  beak curves like the crescent of the Moon, he is the scribe of the Gods who keeps all the records of the living and those in the underworld, with his reed pen he writes the kings name in a  fruit that he then passes to Seti who hangs it on onto the magical Tree of Life for the regeneration of his reign. Seti is wearing the Kepresh ceremonial crown and holding a hek scepter to symbolize that he is the Sheppard and guardian of his people. 

The Goddess Sekhmet stands the other side of the tree of life behind the king, her elegant body is overshadowed by her golden mane and  the warm  regal face of a lion;  her strength and ferociousness was that of a lion, causing fear amongst  both gods and men , in a rage  she would  punish or  annihilate all  wrongdoers,  she was the kings protector  in battle who ran before his chariot  slaughtering  his enemies, she preserved him from evil,  she stands behind him in this ceremony holding the palm of years from which a collection of Ankhs dangle that would jingle in the breeze,   this is a conduit for the divine power of life and permeates the universe.



To complete his ceremony Seti kneels before Amun holding the symbols of the Sed festival in his left hand, the God Amun reaches out to bless the king touching his Atef crown with uraei on disks all surrounding the horns of Khumn.

Seti had originally started creating the huge pylons and the Hypostyle Hall in Karnack Temple, and after his death his son Ramses the 11 (The Great) completed his works.

Monday 1 June 2020

Luxor Temple in the 19th Century- Excavating the temple and its Residents from the Sand



The front Pylons and Obelisk of Luxor Temple surrounded by houses, inside the temple and outside

In 1884 Gaston Maspero of the Antiquities Service had been given the Order to excavate about 40ft of Sand from inside and around the Temple of Luxor, that had accumulated over thousands of years. It wasn't wasn't his only problem though, as many Egyptians had built their homes inside of, and around the edges of the temple, so he had to negotiate compensation for the Egyptians for their pieces of land and the it is not a house that can be compensated for, but the land it stands on, and the dependancy of their families.

Amelia Edwards visited Luxor Temple and described her findings in her book 'A Thousand Miles Up The Nile' She said : 'Beyond that entrance lay a smoky, filthy, intricate labyrinth of lanes and passages. Mud hovels, mud pigeon-towers, mud yards, and a mud mosque, clustered like wasps' nests in and about the ruins. Architraves sculptured with royal titles supported the roofs of squalid cabins. Stately capitals peeped out from the midst of sheds in which buffaloes, camels, donkeys, dogs, and human beings were seen herding together in unsavoury fellowship. Cocks crew, hens, cackled, pigeons cooed, turkeys gobbled, children swarmed, women were baking and gossiping, and all the sordid routine of Arab life was going on, amid winding alleys that masked the colonnades and defaced the inscriptions of the Pharaohs. To trace the plan of this part of the building was then impossible.'

The Mosque of Abu Hagag

Inside the first temple courtyard, created by Ramses 11, there was an 800 year old mosque known as the Mosque of Abu Hagag, Once the sand was excavated it left the entrance door about forty foot above the new ground floor level, so the Mosque also had to be compensated for a new entrance door, and a set of steps leading up to the new entrance door to the rear. The mosque is still in use today, and if you go inside the mosque today you will see the top half of Ramses 11 columns, surrounded by prayer mats on the floor.

Gaston Maspero had lots of  problems to resolve before he could excavate the sand from inside the temple, there were also stores, houses, huts, pigeon towers, donkey's goats and chickens in both the courtyard of Ramses 11 but also the Festival hall of Amenhotep 111. In this photograph we can see an old man sat outside the door to his home with his grandchildren.

An English Lady lived inside Luxor Temple

When I lived in Luxor I made friends with a polite old man called Mr. Mohammed, who had been one of the first tour guides in Luxor, his permit was number 5, Mr. Mohammed had a beautiful Egyptian traditional house with a small courtyard and a tree in the middle, which was sat at the bottom of the little alley near to my friends Edward & Freeda who own 'Our Luxor.'  Sadly Mr. Mohamed has died now, but I often think about our talks over a drink of tea, as we both had the same passion for the history of Egypt. He used to call me 'A crazy English Woman' because I would ride over to the temples and Valley of the Kings on a bicycle.

One day he told me the story of Lady Duff Gordon who had actually  lived in a small ruined house for seven years that was  built in the sand filled Luxor  temple. She had shunned European society in Egypt and embraced the life with the Egyptians and their culture. Inside her home she created a makeshift hospital and welcomed the people of Luxor, regardless of their station in life, they could be rich or poor, and she would help them if she could,  usually she gave them her special cure for all ailments, a cup of English tea ! Her sympathy with the oppressed, endeared her to all the Egyptian people, to whom she was known as Sitt el Kebeer (Great Lady), who 'was just, and had a heart that loved the Arabs'.  Another name the Egyptians gave her was 'Noor Ala Noor', which means 'light from the source of all light'

Lucie is best known  for her two books ' Letters from Egypt,'  - 1863–1865 and ' Last Letters from Egypt  -  1875, most of which are addressed to her husband, Alexander Duff-Gordon, and her mother, Sarah Austin that she referred to as ' Mutter'.  Lucie had left England for the warmer climate of Egypt because she had contracted Tuberculosis. Whilst living in Egypt she learn't Arabic so that she could converse with her neighbors and she wrote many letters about Egyptian culture, religion, and customs,  and many personal stories from the Egyptians living around her inside Luxor Temple

The Festival Hall of Amenhotep 111 in Luxor Temple

Amenhotep 111 created a huge festival hall that was surrounded by both open and closed papyrus styled columns. This hall was used during the feast for dancing and eating, Oxen, ducks, fish, bread, wine,Beer, fresh salad and vegetables, were all brought to the temple by the priests for the festivities.

During the 'Opet Festival'  the King would enter the 'Birth Room and emerge seven days later symbolically reborn, where both himself and Egypt would be infused with new vitality and energy and Egypt would be refreshed with plentiful harvests.

You can see the festivities on the walls behind Tutankhamun's colonnade that joins the courtyard of Ramses 11 to the Festival Hall of Amenhotep 111. Tutankhamun was the grandson of Amenhotep 111, and the son of the Heretic pharaoh Akhenaten, who nearly brought Egypt to economic disaster by closing the Temples down, and moving his palace, and temples to the Aten, to a new beginning in the desert known as Armarna. He insisted that Egyptians must only worship one God, the Aten.

Luxor Temples Missing Obelisk

When you visit Luxor Temple now, there is only one Obelisk. Originally there were two erected by Ramses 111 that praised him by all his names, and when the rays of the sun flashed down the geometric sides highlighting the Hieroglyphics, Ramses name would be brought back to life again. The tip of the obelisk had a cover of Electrum, which is a mixture of Gold and Silver. Obelisks were usually erected in pairs to provide an energy field across the entrance to the temple infusing it with new life and vitality. The missing Obelisk was given to France by the Ottoman Ruler, Mohammed Ali, in 1835 in recognition of Champollion deciphering the Rosetta stone, enabling scholars to read the God Words on the temple walls once more

In this photograph there is a deep ditch in front of the pylons and Ramses sat on the Throne of Two Lands has finally been released from the centuries of sand, the sand was nearly up to his shoulders before the excavations began.


The Avenue of the Sphinx stretches from Karnack Temple to Luxor Temple

In Ancient times Luxor Temple was known as 'Ipet Resyt' which means'The Southern Sanctuary'. Luxor temple is unique as it is not the Earthly home of a God, nor is it a Mortuary Temple, it was created mostly by Ramses 11 and Amenophis 111 to celebrate the 'Opet Festival' which was held every year just before the flood, when the King and the Priests would carry the Holy Barques of The Gods Amun, Mut and their son Khonsu. from Amun's Earthly home at Karnack Temple down an avenue of sphinx that stretched from Karnack Temple to Luxor Temple approximately for two miles. In this photograph you can see that they have demolished the houses from in front of the Temple, and they are excavating the Avenue of Sphinx.

In October 2010 the Antiquities Service decided to dig further to reclaim some more of the sphinx,  which laid buried beneath a mosque, the police station, roads, shops, and houses in which modern day Egyptians had built and lived and worked in.. The Avenue of Sphinx comes to a standstill beneath one of the main roads that cuts through the town of Luxor.

Luxor Temple Today, unburdened and released from the sand