Ramses 11 has a passport !

In 1977  Ramses was flown to Paris with his own passport, his occupation is described as KING (deceased) On his arrival in Paris a Great Ramses 11 Exhibition was staged. Obviously this is not the original passport of Ramses 11 that he was given in 1974, it has been created just to show what his passport might look like.

The journey to Paris was also arranged to offer the mummy of Ramses the best conservation treatment possible as deterioration had been noticed, with the invasion of beetle larvae.

 In the shimmering heat at Cairo airport the coffin of Ramses passed onto the plane whilst a guard of Honor saluted the King.  On arrival in Paris Airport Ramses was again greeted with a full presidential guard of Honor even though he had been dead for nearly 3,200 years.

This is the Mummy of Ramses at the Exhibition - The wall behind him shows a scene from the Great Temple of Abu Simbel in Nubia, depicting the pharaoh in a military campaign against Kush (Nubia)

The Mummy of Ramses 11 is now housed in the Egyptian Museum of Cairo.

                                                           

Ramses 11 came to power at the age of 25, his popular title is ‘Ramses the Great,’ but his Pharonic name was ‘Ra has fashioned him Beloved of Amun.’  Ramses reigned for 67 years, and fathered over a 100 children ! 

During his long reign Ramses 11 probably erected the most statues temples and obelisks of all the pharaohs. Some of his most impressive works included the Hypostyle hall at Karnack temple, this was begun by his father Seti 1 and Ramses finished work on the Hypostyle hall. after the death of his father.

He created the first courtyard in Luxor Temple surrounding it with his striding statues, which hold the Mekes papyrus in his hand giving him the authority to rule. He created the front pylons of Luxor Temple, which shows him fearlessly riding into battle on his chariot at the Battle of Kaddesh, he sits on the throne of two lands each side of the temple entrance, with his beloved wife Nefertari at the side of his leg.

Originally he placed two Obelisks outside the front pylons that had a top cap of Electrum (a mixture of gold and silver) these would capture the rays of the sun and flash energy and vitality down the bold vertical lines and the hieroglyphics  that would inspire the traveler to utter the names of Ramses making him immortal once more, and his authority of the land is invoked and assured again,'The Horus, Mighty Bull, Exalter of Thebes, Favorite of the Two Goddess, establishing monuments for his father Amun who placed him on the Throne, Golden Horus seeking excellent things for him who fashioned him King of Upper and Lower Egypt, Usamatre, Chosen of Re.'

The twin obelisk now stands in The Palace de la Concorde at Paris, and the spell of protection and energy field that the two combined Obelisks offered the perimeters of the temple have been severed.

The Obelisk was given to France in recognition of Champollion deciphering the Rosetta stone making hieroglyphics and the 'Gods Words' in Temples and Tombs come to life once more, If your name is uttered and not forgotten then you have eternal life.

Ramses was also responsible for completing one of the most unusual and impressive of all Egyptian temples at Abu Simbel in Nubia, which was the furthest point of Ancient Egyptian supremacy.

This awesome temple was cut into the mountainside, and has four statues of Ramses sat on the Throne of two Lands. The axis of the temple was positioned by the Ancient Egyptian architects with the advice of the Goddess Sekhet, (the Architect) who worked all the details of the temples axis according to the stars, so on October 22 and February 22, the rays of the sun would flash through the temple door bringing light and life to the sitting statues of Ramses sat with the Gods, Amun, Ra-Horakhty and Ptah. By building such an awesome monument Ramses was sending a strong message to the Nubian Race that he held the power.

Egyptomania Begins in the 19th Century - Tourists flock to Egypt

Tourism to Egypt  began slowly after the 1830's after Napoleon Bonaparte's failed expedition to Egypt, It was the work of the Savants he brought with him that first brought Egypt to the attention of the World they created 'The Description de l'Égypte' which was a series of publications, detailing the history of Egypt both ancient and modern, the first volume appeared in 1809 and continued until the final volume appeared in 1829.

Whilst in Egypt Napoleon's soldiers found the Rosetta stone, and after many years of study,  Champollion deciphered the stone using a tracing that the French had made of the stone before they had released it to the British army.  Champollion deciphered the Rosetta stone in 1822, and brought the ancient Gods words to life again.

Giovanni Belzoni also helped to inspire people in Europe on his travels with his installation of the Tomb of Seti 1, that he had discovered in the Valley of the Kings, and the head of Ramses 11 that he had removed from the Ramessium in 1816.

Egyptomania had begun !

From the 1860's the early photographers  helped so much to encourage people to visit Egypt, their photos expressed the ordinary life of Egyptians, and the amazing history of it's antiquities, and the early tourists loved to buy these memories and postcards of Egypt. Here we can see early tourists at the side of the Sphinx and the great Pyramid of Khufu which is the largest pyramid built in Egypt. As you can see the paws of the sphinx are buried under the sand. These two icons, of Ancient Egypt have always featured in the Western imagination.

Tourists used to climb the pyramids in the 19th Century, if you decided to do it now you would be arrested.

Pyramid of Khufu and the Sphinx

One of the most famous American tourists to climb the Great pyramid of Khufu (also known as the pyramid of Cheops) was the author Mark Twain, who firstly described the Giza plateau :

At a distance of a few miles the pyramids rising above the palms, looked very clean-cut, very grand and imposing, and very soft an filmy, as well. They swarm in a rich haze that took from them all suggestions of unfeeling stone, and made them seem only the airy nothings of a dream - structures which might blossom into tiers of vague arches, or ornate colonnades, may be, and change and change again, into all graceful forms of architecture, while we looked, and then melt deliciously away and change again, into all graceful forms of architecture,'

Mark Twain admitted his failure to adequately describe the sheer massiveness of the Great Pyramid, but he went on to describe how he got to the top of it:

'we were besieged by a rabble of muscular Egyptians and Arabs who wanted the contract of dragging us to the top—all tourists are.'

'the Sheiks said they were the only responsible parties; that all contracts must be made with them, all moneys paid over to them, and none exacted from us by any but themselves alone. Of course they contracted that the varlets who dragged us up should not mention bucksheesh once.'
'we contracted with them (the shieks) paid them, were delivered into the hands of the draggers, dragged up the Pyramids, and harried and be-deviled for bucksheesh from the foundation clear to the summit.'

'Each step being full as high as a dinner-table; there being very, very many of the steps; an Arab having hold of each of our arms and springing upward from step to step and snatching us with them, forcing us to lift our feet as high as our breasts every time, and do it rapidly and keep it up till we were ready to faint, who shall say it is not lively, exhilarating, lacerating, muscle-straining, bone-wrenching and perfectly excruciating and exhausting pastime, climbing the Pyramids?'

'I could conjure up no comparison that would convey to my mind a satisfactory comprehension of the magnitude of a pile of monstrous stones that covered thirteen acres of ground and stretched upward four hundred and eighty tiresome feet, and so I gave it up and walked down to the Sphinx.'
When Mark Twain confronted the Sphinx he gave the following description of it's face:

'The great face was so sad, so earnest, so longing, so patient. There was a dignity not of earth in its mien, and in its countenance a benignity such as never anything human wore. It was stone, but it seemed sentient. If ever image of stone thought, it was thinking. It was looking toward the verge of the landscape, yet looking at nothing—nothing but distance and vacancy. It was looking over and beyond everything of the present, and far into the past…it was thinking of the wars of departed ages; of the empires it had seen created and destroyed; of the nations whose birth it had witnessed, whose progress it had watched, whose annihilation it had noted; of the joy and sorrow, the life and death, the grandeur and decay, of five thousand slow revolving years.'

After five months of travel in Europe and the Middle East, Mark Twain wrote a book describing all his Travels, it is titled 'Innocents Abroad' it was published in 1869


Karnack Temple - the earthly home of the God Amun

In 1862 Queen Victoria sent her 20 year old son, the Prince of Wales, Albert Edward (affectionately known as Bertie), on a four month tour of the Middle East. He is seen here with his entourage in the Hypostyle Hall of Amun Ra in Karnack Temple, the Gods earthly home.

The Hypostyle hall was considered as the mound of creation by the ancient Egyptians, and the awesome columns in this hall represent the plants that came into being on the mound of creation. Standing in this incredible hall you are overpowered by 134 of these gigantic columns, 122 are in the open papyrus bud style, and another 12 in the central isle are closed. The Hypostyle hall, is the reception area of the gods, its awesome lotus columns represent the plants that came into being on the mound of creation. The lotus columns are a symbolism of Horus who was born on the waters of creation, the lotus plant represents the first sunrise on the day of creation. Each evening the lotus submerges beneath the waters, and at dawn it rises symbolically to worship the sun again, it encompasses all the forces of nature and lives in all the four elements, its roots are bound to the earth and its stem rises through water, it flourishes in the air and blooms in the sunlight The Hypostyle Hall was originally created by Seti 1, and after his death, his son Ramses the Great completed the Hall.

Behind Prince Albert's group is the part of a fallen obelisk, which I assume it is one of the obelisks created by Hatshepsut, and can now be found near the Sacred Lake. Originally Hatshepsut created two Obelisks which would have stood together one each side of her Red Chapel that would have been intended as a barque shrine for the God Amun Ra. An obelisk was intended to create an energy field and power from the  Sun God Amun Ra to the temple, they originally had a covering at the top that was covered in electrum, which was a mix of gold and silver, and would capture the rays of the sun god Amun Ra bringing energy, protection and new life to the temple, so obelisks were originally created in pairs, Ramses 11 originally had an obelisk each side of the entrance into Luxor Temple, but one was dismantled and given to France in recognition of Champollion deciphering the Hieroglyphics. Once the suns rays hit the obelisk the pharaohs name would be invoked as the words would come to life.

The Obelisk of Hatshepsut that still stands in Karnack Temple expresses her devotion to the God Amun whose earthly home was Karnack Temple :

I have created this work with a heart full of love for Amon
Initiated into his secrets of origin
Instructed through his beneficial powers
I have not forgotten what he has ordained
My majesty recognizes his Divinity
I have acted on his orders
It is he who has guided me
I have never slept because I was pre-occupied with his temple
I have never turned away from what he has commanded
My heart moved intuitively with The Father
I have entered ultimately into the plans of his heart
I have never turned my back to the Master of Totality
But rather I have turned my face towards him


These tourists have got to be British !

They are all sat having lunch in the amazing Hypostyle  Hall in Karnack Temple.


Luxor Temple

Luxor Temple  is one of the most unique temples in Egypt, as it is not the earthly home of a god, nor is it a pharaohs mortuary temple. It was created to celebrate the 'Opet Festival' that was celebrated every year for 11 days just before the annual Nile flood, the celebrations were to give new life to Egypt and to renew the Kings vitality and power to rule.

In these celebrations, the king would leave the home of Amun Ra, at Karnack Temple and escort the  sacred barques of the God Amun, his wife Mut, and their son Khonsu to the celebrations held in Luxor Temple's inner sanctuaries and the Festival hall of Amenhotep 111. Luxor Temple as we see it today, was mainly built by two pharaohs, Ramses 11 'The Great' of the 19th Dynasty - the New Kingdom period, and Amenhotep 111 of the 18th dynasty who was also known as 'The Magnificent', who was also known as 'Amenotep the Magnificent', he was the son of Tuthmosis 111 'The Egyptian Napoleon' who brought wealth and prosperity to Egypt with all his victories.

Amenhotep 111 died in the 39th year of his reign, and his son Amenoteph 1V succeed to the throne, after five years of rule he changed his name to Akhenaten,  who believed in one god, the Aten, and turned his back on the many Gods of Ancient Egypt. His rule brought Egypt to the brink of disaster.

In ancient times Luxor temple was known as 'Ipet Resyt' which means 'the Southern Sanctuary', and the 'Sun court, or festival hall was where all the dancing, feasting, and celebrations took place. The court is very large and surrounded on three sides by beautiful papyrus bud and open lotus columns.

In the photograph we can see four  Victorian tourists sat on camels inside the Festival hall, as you will notice the floor level of sand has reached half way up the surrounding columns.

In 1883 Gaston Maspero was given permission to excavate the sand from inside the temple, and so they evicted all the Egyptians who had created their homes inside the temple. One such resident was Lady Duff Gordon, who had rejected her Victorian life in favor of a life with the Egyptians,  she made her home into a little hospital, so that the Egyptians could come to her for help. Mostly she just gave them a miracle cure of a cup of English tea !
Looking at the photograph you can see the minaret of the mosque of Abu Hagag in the background, the mosque was built about 800 years ago and had also been built inside the temple. Once the sand was dug away it left the doors to the mosque at ceiling height, so the Muslims had to create a new entrance at the back of the mosque.

Thomas Cook brings Victorian Travelers to Egypt

It was Thomas Cook who first brought British travelers to sail up the River Nile on an 'organized' tour to Egypt, it had been his dream to visit Egypt and the Holy Land so in 1869 he organized the first cruise up the River Nile. His luxury tour of the middle East lasted for three months and was obviously aimed at wealthy Victorian tourists, they made the journey up the Nile in two steamers that he had hired from the King of Egypt. The tour was successful, and within 10 years he had established a small fleet of Nile steamers which would transport the wealthy tourists up the Nile.

Ernest Wallis Budge was an English Egyptologist who worked for the British Museum  He made many trips to Egypt for the British Museum to buy antiquities, and he went on to publish many books on Egyptology and his Oriental studies.

In 1895 Thomas Cook provided the first holiday guide book that he gave to all his guests on his tours. The book was written by E.A.Wallis Budge and was titled 'Notes for Travelers in Egypt.' The book was written in simple terms, offering information about the Temples and Tombs they would see on their journey up the Nile.

Philae Island - The Earthly Home of the Goddess Isis

The island of Philae and the temple of the Goddess Isis drew many tourists to it's shores in the 19th century, the approach by water was beautiful  when seen from the level of a small boat, the island, with its palms, its colonnades, its pylons, and the kiosk seems to rise out of the water like a mirage. In the 19th century when early tourists visited the Island of Philae, it was originally located near the First Cataract of the Nile in Upper Egypt.

Once the first Aswan dam was built in 1902 Philae was drowned in water, half way up the temple pylons. In the 20th century 1970's the temple was dismantelled piece by piece and moved to a small island called Agiliki to protect it from the floods.

In ancient times both the Greeks and the Romans who had invaded Egypt had embraced the worship of the Goddess Isis, Pilgrims had come from far away to pay respects to the goddess Isis and her husband Osiris, who it is said was buried on a small island called Bigeah, near to Philae Island.

Osiris had been murdered by his jealous brother Set, who then carved up his body, and distributed the parts all over Egypt, thus denying him an eternal life. Isis searched for the parts of Osiris with the help of the God Thoth, for many years,  and eventually they had all the body parts. Isis then used her magic powers to bring Osiris back to life again, but when it was done the God Amun Ra said he was not allowed to walk the earth again, and so he made him the God of the underworld.

 With the Christian faith building up, the ancient Egyptian religion was banned. Philae temple has many Coptic crosses cut into it's walls and columns, as it was turned into a church for the worship of Christianity.

In this photograph you can see  Edwardian ladies from 1905 standing on the embankment looking towards the kiosk of Tragan, it is also known as 'The Pharaoh's Bed' it was built during the Roman era of Egypt. It is a beautiful structure of 14 massive columns with carved floral capitals, that sits on the side of the Island, in Ancient Egypt it was the embarkation area of boats coming to the Island of Philae. It simple in its design. Inside are reliefs showing Trajan as a pharaoh making offerings to Osiris, Isis and Horus.The King in ancient Egypt was the living representation of the God Horus.

Amelia Edwards was an English novelist, journalist, explorer, artist, and Egyptologist and during her journey up the Nile' she wrote many entries in her diaries, and they were published as 'A Thousand Miles up the Nile'. It was during her visit to Egypt in the winter of 1873 that she realized she would dedicate the rest of her life to protecting Egypt's ancient sites.

On leaving  the Island of Philae and the temple of Isis she wrote :
'Sailing gently southward – the river opening wide before us, Philae dwindling in the rear – we feel that we are now fairly over the border ; and that if Egypt was strange and far from home, Nubia is stranger and farther still. The Nile here flows deep and broad. The rocky heights that hem it in so close on either side are still black on the one hand, golden on the other.' 

Abu Simbel - The Temples of Ramses 11 - The southern most point of Ancient Egyptian Supremacy

There are two temples cut into the massive rock of the mountainside and are known as the temples of Abu Simbel. One to express Ramses 11 dominance over Nubia, and a smaller temple created for the love of his great wife Nefertari.

The temples were originally carved out of the mountainside during the New Kingdom the 19th dynasty of Ramses 11, and inside his temple it celebrates his  victories at the battle of Kaddesh. When Amelia visited Abu Simbel the colossi of Ramses were half covered in sand, and it was in it's original place, but when the Aswan Dam was built in the 1970's it would have been drowned in water, so they moved it from its original place, it is now on the western bank of Lake Nasser. Inside Ramses temple it celebrates his  victories at the battle of Kaddesh.

When Amelia visited Abu Simbel the colossi of Ramses were half covered in sand.

On Amelia Edwards arrival at the temples of Abu Simbel she wrote in her book :
'It was wonderful to wake every morning close under the steep bank, and without lifting one's head from the pillow, to see that row of giant faces so close to the sky.'

credits to www.wikipeadia.com and www.gutenberg.org - ebook for use of anyone anywhere at no cost

Princess Diana on a 5 day tour of Egypt 1992 - The Pyramids & Sphinx in Cairo then to Luxor to Karnack Temple and the Valley of the Kings

At the invitation of First Lady Suzanne Mubarak, Princess Diana had an official 5 day Tour of Egypt where she met with President Hosni Mubarak. Diana also visited a welfare society for mothers and children, as well as the Institution of Polio and Rehabilitation.
The tour commenced on 10th May 1992

Princess Diana toured the pyramids and the Sphinx at Giza,  and she pronounced them 'breathtaking.'  Then she flew to Luxor to visit the Earthly home of the God Amun Ra at Karnack Temple, and the Valley of the Kings where all the most famous Kings of the new Kingdom period were buried.

GIZA

The Giza pyramid complex, is also known as the Giza Necropolis, sits on the Giza Plateau at Cairo. It includes the  Great Pyramid of Khufu, the Pyramid of Khafre, and the Pyramid of Menkure, along with their associated pyramid complexes and the Great Sphinx. All were built during the Fourth Dynasty of the Old Kingdom of Ancient Egypt. The site also includes several cemeteries and the remains of a workers' village.

The Great Pyramid of Giza (also known as the Pyramid of Khufu or the Pyramid of Cheops) is the oldest and largest of the three pyramids in the Giza pyramid complex. It is the oldest of the Seven Wonders of the Ancient World, and the only one to remain largely intact. Originally the Great Pyramid was covered by limestone casing stones that formed a smooth outer surface and it would have gleamed in the sunlight, what is seen today is the underlying core structure. There are three known chambers inside the Great Pyramid. The lowest chamber is cut into the bedrock upon which the pyramid was built and was unfinished, the Queens Chamber and the Kings Chamber are higher up within the pyramid structure. The main part of the Giza complex is a set of buildings that included two mortuary temples in honour of Khufu (one close to the pyramid and one near the River Nile), three smaller pyramids for Khufu's wives, and an even smaller 'satellite' pyramid, a raised causeway connecting the two temples, and small mastaba tombs for nobles surrounding the pyramid.

THE GREAT SPHINX

The Great Sphinx of Giza is a limestone statue of a reclining sphinx, a mythical creature with the body of a lion and the head of a human. It faces directly West to East, sunrise and sunset.The face of the sphinx is generally believed to represent the pharaoh Khafre. Cut from the bedrock, the original shape of the sphinx has been restored with layers of blocks, it is the oldest known monumental sculpture in Egypt.

Leaving Cairo Princess Diana flew to Luxor  to visit the earthly home of the God Amun, and then she crossed over the River Nile to the West Bank, the side of the setting Sun, to visit the Valley of the Kings



KARNACK TEMPLE

Every Egyptian temple is a symbolic impression of the universe; it is a picture that has been created from stone to describe the first moment of creation, the pylons are the east and western deserts, the portals represent the path that the River Nile would flow threw, and gradually the earth rises as you reach the mound of creation, the temple inspired the belief in their Gods and Kings, fulfilling both the human aspirations and the spiritual needs of the ancient Egyptians.


In Ancient Egypt each temple was considered to be the earthly home of a God; Karnack is the Home of the God that rose to supreme importance in ancient Egypt, The God Amun. Guarding the front entrance are two rows of Criosphinx sat high on pedestals, their ribbed horns curled around towards the face of a ram, which is also a representation of the God Amun, the head then morphed into the body of a lion, standing between giant paws the sphinx encloses a small figure of a pharaoh.

Karnack sprawls across the landscape, its heart still stands but its body was broken into pieces leaving the ground littered with broken columns and pylons as its history expanded, enclosing thousands of years of inspiration and belief. At its heart is the Great Temple of Amun; nearby are smaller temples dedicated to his son Khonsu and his wife Mut whose name means mother.



Over the centuries each Pharaoh ruled his people as The Son of the Father. He was considered as the living incarnation of Horus who was the divine son of Isis and Osiris.  Horus   protected the dynasty and the body of the king who was an absolute monarch, the ancient Egyptians believed that through their  king and his communication with the gods Divine order stability and prosperity would be maintained in their land and chaos would be avoided. The king was the High Priest of all Egypt. During his reign it was the duty of each Pharaoh to add to the Temple and to honor the gods and his own ancestors. Some of Karnack’s sections fell into disrepair or were left uncompleted, over the centuries each succeeding Pharaoh carried on the work of his predecessors and In return for the honors and offerings, they believed that the  gods would bestow blessings of victories in battle, recovery from sickness and plentiful harvests. Only the Pharaoh and priests had access to this sacred home of Amun.

Walking through the first pylon  the immense width of the pylons makes you feel humble, and makes you feel as insignificant as an ant. Graffiti has been scratched on the great blocks of stone, almost at the top on the right hand side of the first pylon I inscribed into the stones is recorded the French Expedition to Egypt.  Napoleon had arrived at the port of Alexandria on July 1, 1798, with some 25,000 soldiers. Though he enjoyed some early success, Napoleon retreated to France in 1799 and Egypt reverted to the British-backed Ottomans in 1801. Graffiti on the inner wall of the pylon records their arrival at Karnack Temple, ‘The Republique Francaise  Geographic des Monuments’ they had given the longitude and latitude of all the temples that they had studied in Egypt during their expedition with Napoleon Bonaparte. This deep entrance leads into the large first main courtyard where three barque chapels sit snugly in the corner; they were created by Seti 1 for Amun Mut and their son Khonsu.  Across the courtyard on to my right was the temple of Ramses 111, which is a miniature version of his mortuary temple known as Medinet Habu.

Princess Diana entered the Hypostyle Hall , the Reception Area of the Gods, its awesome lotus columns represent the plants that came into being on the mound of creation. The lotus columns are a symbolism of Horus who was born on the waters of creation, the lotus plant represents the first sunrise on the day of creation. Each evening the lotus submerges beneath the waters, and at dawn it rises symbolically to worship the sun again, it encompasses all the forces of nature and lives in all the four elements, its roots are bound to the earth and its stem rises through water, it flourishes in the air and blooms in the sunlight.  Standing in this incredible hall you are overpowered by 134 of these gigantic columns, 122 are in the open papyrus bud style, and another 12 in the central isle are closed

The Hypostyle Hall was originally the vision of Seti 1, and after his death his son Ramses the Great completed the Hypostyle Hall, he had erected 54 columns on the south side, and a stone wall to surround the whole hall on the east side. Ramses 11 reigned for 67 years and fathered over 100 children ! ! ! 


The VALLEY of the KINGS

‘ Make beautiful your resting place in the West, make splendid your resting place in the City of the Dead, Thanks to your just way of life, it is here that your heart and soul can rest’

Merikare

'I am yesterday today and tomorrow,

And I have the power to be born a second time'

The Book of the Dead

Across the river Nile on the western shore of Thebes, there lays a desolate winding valley that hibernates within a barren and silent city for the dead, where no life can sustain on its parched desert rocks. In ancient days this was a secret place with only one way into the valley, its dusty road was only followed by the ritual funeral entourage of ancient times, and if you go into the valley you can only return by the road that you came. The sides of the valley twist and turn and contorting into a mountain that forms a natural pyramid known as 'The Quorn', like the pyramids this is a ladder to the stars and eternal life. It encloses the subterranean tombs and final resting places of the once living Gods of Ancient Weset, the pharaohs of The New Kingdom.

The Valley of the Kings is known to contain 63 tombs and chambers.  KV5 was re-discovered by Kent Weeks, it is the largest and most complex tomb in the valley with over 120 chambers.  The royal tombs are decorated with symbolic scenes from Egyptian mythology and give clues as to the beliefs and funerary rituals of the period. Almost all of the tombs seem to have been opened and robbed in antiquity, but they still give an idea of the opulence and power of the pharaohs.


The most famous tomb in the Valley is the Tomb of Tutankhamun. It was discovered by Howard Carter in 1922, when Lord Carnarvon had impatiently stood waiting behind Howard Carter in November whilst he broke a hole through in the sealed door of a tomb and passed a candle through the hole. ‘Can you see anything?’ said Lord Carnarvon anxiously. Carter had been struck almost dumb as hot air escaped from the room within causing his candle to flicker, strange statues and animals appeared from the gloom within, and the glint of gold was everywhere. It was all Carter could do to express the words ‘yes, Wonderful things!’

The tomb KV62 had been discovered underneath the remains of workmen's huts built during the Ramesside Period; this explains why it was largely spared the desecration and tomb clearances at the end of the 20th Dynasty, although it was robbed and resealed twice in the period after its completion.

Tutankhamun  was an ancient Egyptian pharaoh who was the last of his royal family to rule during the end of the 18th dynasty during the New Kingdom of Egyptian history. His father was the pharaoh Akhenaten, believed to be the mummy found in the tomb KV55. His mother is his father's sister, identified through DNA testing as an unknown mummy referred to as; "The Younger Lady" who was found in KV35.

Tutankhamun came to the throne at eight or nine years of age, and was originally known as Tutankhaten. His names—Tutankhaten and Tutankhamun—are thought to mean "Living image of Aten" and "Living image of Amun".

Under the  Viziership of his eventual successor, Ay, to whom he may have been related. He married his half sister Ankhsenapaten who later became known as Anaksenamun. During their marriage they lost two daughters, whose foetus were found in a wooden box in his tomb, one was lost during the first 5-6 months of Anaksenamuns pregnancy, and the other one died shortly after it's birth at full term

Whilst in Egypt Princess Diana also visited a welfare society for mothers and children, as well as the Institution of Polio and Rehabilitation

Cairo has five centers for the treatment of Polio and it's Rehabilitation, the disease has caused paralysis and death for much of human history. Over millennia, polio survived quietly as an endemic  until the 1900s when major epidemics began to occur in Europe. Soon after, widespread epidemics appeared in the United States. By 1910, frequent epidemics became regular events throughout the developed world primarily in cities during the summer months. At its peak in the 1940s and 1950s, polio would paralyze or kill over half a million people worldwide every year the development of two polio vaccines has eliminated or controlled polio in many countries across the world

I adore Diana and was devastated when she was killed. When Diana first met Prince Charles she was very shy, and gradually over the years she found her confidence in her royal duties, her charisma and friendliness endeared her to the world and helped her reputation to survive after the horrendous collapse of her marriage to Prince Charles, they took her title of Princess away, but she will always be our 'Queen of Hearts'

Diana was very photogenic and newspaper reporters followed her everywhere, they were considered to have been partly to blame for the fatal car crash under a tunnel in Paris in 1997, because some of  the reporters chased after the car that she was travelling in with her new Egyptian boyfriend Dodi Fayed, who was also killed in the Crash. Her funeral had the largest attendance ever seen for a royal burial, but her legacy lives on forever, as the Ancient Egyptians demonstrated, if you speak the name they are born again.

The Spectacular Tale of TUTHMOSIS 111 Gruelling March to the Battle of Megiddo

In 1798 Napoleon Bonaparte of France mounted an expedition to conquer Egypt, to his regret his military aspect was a failure and he was forced to withdraw from Egypt within three years, but the scholars he took with him to complete a survey and record all the aspects of Egyptian life  brought  Ancient Egypt to the attention of the world.

Tuthmosis 111 was given the title of 'The Egyptian Napoleon' by the French, because they were so impressed by his military genius and the fact that he spent most of his reign on campaign with other countries bringing them under the rule of ancient Egypt. With all the wealth of their tributes he made the Temples and Egypt very rich.  Karnack Temple reliefs show the Battle of Megiddo. The sixth pylon reliefs show all the important prisoners and what tribe they represented, taken into bondage as slaves.

The battle of Megiddo was one of the most important and earliest campaigns of his Tuthmosis reign. The prince of Kaddesh had united chiefs from the surrounding areas and together they were refusing to pay tributes to Egypt as they had not been enforced during the reign of Hatshepsut.  the spectacular tale of a grueling march of two months through the desert by Tuthmosis and his army to confront the prince of Kaddesh and his united enemies are given on the walls of Karnack Temple.

Tuthmosis arrived at Yemen which was the most northerly point of Egyptian supremacy; his spies had reported to him that the enemy had gathered at Megiddo. Tuthmosis and his generals met to discuss their final advance; they told the king that there were three possible routes to reach Megiddo. The most dangerous route was through the Amarna Pass which would be a constant source of fear every step they took as it was very narrow and they would have no defense from ambush or rock falls. Tuthmosis decided to go through this pass regardless of the advice of his generals; he was so determined in the belief that he would catch his enemies unaware that he rode at the front to guide his army. The march took twelve precarious hours until finally they emerged to the horror of the enemy who were totally unprepared for them as they had posted their armies on the other routes that they expected the Egyptian army to arrive at. The arrival and encampment is shown on the walls of Karnack Temple.

On the day of the battle Tuthmosis charged into battle on his gleaming chariot of electrum trampling his enemies underfoot. The enemy ranks fell into disorder with their men retreating and clambering up rope ladders to escape the ferocity of the Egyptian army. Unfortunately it is recorded that the foot soldiers were too keen to plunder from the fallen enemy soldiers, which resulted in the safe evacuation inside the city of the

remaining force. Tuthmosis was furious, he now had to lay siege to the city of Meggadio which took him a further seven months. Eventually the Prince of Kaddesh and his chiefs sent out 84 of their children with gifts and surrendered.

Tuthmosis returned to Thebes jubilant with all the spoils of his first campaign, the sixth pylon records than he had over 2,000 slaves including the children of the chiefs. 2,041 mares, 6 stallion’s and 161 foals, cattle, sheep, goats, metal stoneware and armour. Tuthmosis led a further 17 campaigns during his reign.

Tuthmosis 111 honored in every way the name of the God Amun and the memory of his Father and brother,  Tuthmosis 1 and Tuthmosis 11, but he systematically destroyed the name of Hatshepsut, and her image from the temples. 

In Karnack Temple he founded The Hall of Ancestors and erected the Hall of Pillars, and the chambers and corridors belonging to it on the east side of Karnack temple, The sixth pylon details the Battle of Megiddo. To the rear of Karnack Temple he created a Festival Hall, but instead of the usual papyrus columns, he created columns to look like the tent pegs that were used for his campaign tents.

The Obelisk of Hatshepsut's Hieroglyphic Inscription

The inscription written on the obelisk from Hatshepsut in Karnack Temple expresses her devotion to Amon Ra:

'I have created this work with a heart full of love for Amon

Initiated into his secrets of origin

Instructed through his beneficial power

I have not forgotten what he has ordained

My Majesty recognizes his Divinity

I have acted on his orders

It is he who has guided me

I have never slept because I was pre-occupied with his temple

I have never turned away from what he has commanded,

My heart moved intuitively with The Father

I have entered intimately into the plans of his heart

I have never turned my back on the Master of totality

But rather I have turned my face towards him

The White chapel of Sensuret 1 in the Open Air Museum in The precints of Karnack Temple

As I walked around the bend in path that weaved its way to the Open air museum my eyes were drawn to the pale cream elegant chapel in the shade of the trees that dark green leaves overhung in this quiet corner of Karnack. To my delight I had found the exquisite White Chapel originally created during the Middle Kingdom for Sensuret1 of the 12th Dynasty to celebrate his Sed- festival.

This elegant little chapel in Tura limestone is thought to be one of the earliest structures created in Karnack and we are so blessed that our eyes can admire it once again. It was re- constructed by Henri Chevrier.

Two ramps lead up into a small rectangular chapel from its base facing each other. Twelve external square pillars and four internal pillars support the ceiling; these have the finest cut delicate inscriptions and show Sensuret embracing the gods Amen Ptah Atum and Horus each god is placed at one of the four cardinal points of the earth.  The beams of sunlight flood through the square pillars and highlight the intricate relief’s they touch

An inscription on the North corner pillar of the chapel reads: ‘Come in peace, O Sensuret, that thou mayest see thy father Amun Ra who loves thee, that he may give thee kingship of the two lands’ Sensuret came to the throne as co-regent with his father Amenemhet 1 during the 20th year of his fathers reign. During these early years Sensuret went on many campaigns to Syria and Nubia, unfortunately whilst he was on campaign in Libya he received news that his father had been assassinated. Sensuret then became the sole king of Egypt and he ruled for 34 years. Three years before he died he elevated his own son Amenemhet 11 as his co-regent, and finally he was buried in the pyramid he had built a mile from his fathers at El Lisht.

The Hoope bird in Karnack Temple

Walking through this wondrous Lotus forest of columns in the Hypostle Hall at Karnack Temple one afternoon, a vibrant orange and black  stripped Hoopoe bird flew down and landed at the side of me, then its headdress similar to that of an American Red Indian chief neatly closed up as the bird  settled a few feet from me, I froze so as not to frighten it,  and as I stood quietly observing it, I almost felt that it was speaking to me and telling me that the Hall was as I had imagined it, the columns were  real live trees, and the temple was alive and accepted by the bird as part of creation.  I have never thought of myself as strange, although others have doubted my sanity on occasions, but I must admit even I was really surprised when I went to collect my photographs from the shop on the Corniche, when looking through them a very excited man in the shop told me that this bird was sacred to the Moslems and was written about in the Koran, the bird was a messenger who spoke to Sulliman informing him of the land that he had flown to and the heathen religion of the Queen of Sheba. I concluded that god is everywhere and speaks to us whenever we are touched by the divine as I had been in this amazing forest of stone within the Hypostyle hall of Karnack Temple

The Open Air Museum in Karnack Temple

The OPEN AIR MUSEUM

The White Chapel of Sensuret 1
The Red Chapel of Hatshepsut
& the Alabaster Chapel of Amenophis

The pylons of Karnack Temple hold many secrets, but I believe the gods wanted to share with us the secret of the beautiful workmanship that had been created for them when in 1924 the third pylon was damaged by an earthquake. To repair the damage it was necessary to dismantle the pylon, during the works, blocks were discovered that have since been meticulously pieced together and gradually over the and years beautiful shrines and chapels have risen again that had been buried within the third pylon during the reign of Amenophis 111, they have been carefully reconstructed in the grounds of
the Open Air Museum in the precincts of Karnack Temple, and they are amazing.

In the heat of an afternoon I stood in the first courtyard of Karnack temple underneath the imposing statue of Ramses the Great with his daughter Bintah that became his consort wife standing between his legs,  I took the path down the side of the colossi  and walked towards a row of sphinx that sat  on the edge of the courtyard, passing between a row of columns I  then entered through the gateway in the side wall of the courtyard, and it was as if I had walked through a portal of time and warped into another dimension, I walked  completely alone up a winding  path and reflected that in the courtyard behind me hundreds of people were oblivious to this quiet  secret garden of delight that I alone had discovered  and  entered into.  As I walked up the path rows of blocks were all laid out, they were jigsaw pieces of stone with their messages from the past patiently waiting to be pieced together again. As I walked around the bend my eyes were drawn to the pale cream elegant chapel in the shade of the trees that dark green leaves overhung in this quiet corner of Karnack. To my delight I had found the exquisite White Chapel originally created during the Middle Kingdom for Sensuret1 of the 12th Dynasty to celebrate his Sed- festival.

 This elegant little chapel in Tura limestone is thought to be one of the earliest structures created in Karnack and we are so blessed that our eyes can admire it once again. It was re- constructed by Henri Chevrier. Two ramps lead up into a small rectangular chapel from its base facing each other. Twelve external square pillars and four internal pillars support the ceiling; these have the finest cut delicate inscriptions and show Sensuret embracing the gods Amen Ptah Atum and Horus each god is placed at one of the four cardinal points of the earth.  The beams of sunlight flood through the square pillars and highlight the intricate relief’s they touch

An inscription on the North corner pillar of the chapel reads: ‘Come in peace, O Sensuret, that thou mayest see thy father Amun Ra who loves thee, that he may give thee kingship of the two lands’ Sensuret came to the throne as co-regent with his father Amenemhet 1 during the 20th year of his fathers reign. During these early years Sensuret went on many campaigns to Syria and Nubia, unfortunately whilst he was on campaign in Libya he received news that his father had been assassinated. Sensuret then became the sole king of Egypt and he ruled for 34 years. Three years before he died he elevated his own son Amenemhet 11 as his co-regent, and finally he was buried in the pyramid he had built a mile from his fathers at El Lisht.

At the side of Sensuret’s  chapel stand two small simple alabaster barque shrines, one for Tuthmosis 1V and the further one was built for Amenophis 1 whose  beautiful Throne name  was ‘Holy is the Soul of Re’ . These two rectangular barque shrines are simple in design  when you compare them  to the feeling of majesty as you look back at the chapel of Sensuret, but as no-one was in the grounds I decided to lay on the floor within the shrine of Amenophis  and admire the beauty of the ceiling and walls  that are made entirely of alabaster with  the grain and colours swirled around me, the large carving on the wall  glowed as the sunlight touched the face of Amenophis, I stood up and wanted to touch the weave of his hair, but I resisted the temptation.

Eventually I left the alabaster shrine that in its own simple elegance had given me a sense of calm and showed me the beauty of alabaster. I then followed the path towards the exciting Red Chapel of Hatshepsut and my expectations increased because here was a queen who was obviously determined to out due the works of all previous kings and create the most beautiful and unusual gifts for Amun. I was not disappointed as I arrived at Hatshepsut’s creation, walking around the base there is a grey diorite frieze that is divided into squares each one representing a Nome of ancient Egypt .

The nomes were divided into capital towns, cultivated lands, marshes and canals, the frieze shows male and female engravings bringing gifts of all things pure for Amon, the male is the god Hapi with his flabby tummy, some of the engravings still show signs of gold paint in their hollows. I take the steps and enter through the open doorway that is also framed with grey diorite; I was now stood in the vestibule of the Set-ib-Imen (place of the heart of Amon).  Hatshepsut began the creation of the Red Chapel during the later years of her reign to replace the alabaster chapel of Amenophis 1 and as original as ever she chose to make it from Red Quartzite blocks, an unusual choice of material to use as it has a deep red ochre colour and not normally chosen for a barque shrine. The rectangular shape has three doorways, two rooms, and an open roof.  The first room is a small vestibule and the larger second room was the sanctuary to shelter the boat of Amon on a small altar of rest.  The floor is paved and has a gully that the waters of purification would flow through during the ritual ceremonies. Inside the sanctuary there is a frieze crossing the wall with the Djed pillar (stability) Was-sceptre (strength) and the Ankh (life). The vestibule has a frieze of the Rekhyt bird which refers to the adoration of all the people The blocks that were retrieved from inside the third pylon and have been  incorporated into the walls  of the shrine refer to the  major events of that took place during Hatshepsuts reign, her enthronement, the  annual Feast of Opet ,  during which a grand procession  left  Karnack temple to arrive at Luxor Temple,  this took place in the second month of the flood season and was held to celebrate the renewal of kingship and the Divine marriage of Amon to Mut. The blocks also show The Beautiful Feast of the Valley this was held between March and June when the sacred barques of Amun Mut and Khonsu were taken across the River Nile to the West Bank to visit the mortuary temples of the pharaohs to offer floral tributes.

Walking away from the Red Chapel of Hatshepsut I reflected on the beauty of all the individual barque chapels, the elegance of the White Chapel the cool calm of the alabaster chapels and the larger  imposing chapel of Hatshepsut with its burning warm red bricks and then it occurred  to me the symbolism of  why Hatshepsut had  possibly deviated from traditional materials and chosen  instead  to use this unusual red quartzite, it was simple,  a heart  of a man is deep warm red it pumps the warm blood through the body and sustains the life, and this chapel was ‘The Heart of Amun.’

Karnack Temple

KARNACK TEMPLE

The Earthly Home of the God Amun
Iput Isut - The Sacred Place

‘Man is clay and straw,
God is the builder,
Each day he demolishes and re-builds’- Amenemope

Every Egyptian temple is a symbolic impression of the universe; it is a picture that has been created from stone to describe the first moment of creation, the pylons are the east and western deserts, the portals represent the path that the River Nile would flow though and gradually the earth rises as you reach the mound of creation, the temple inspired the belief in their Gods and Kings, fulfilling both the human aspirations and the spiritual needs of the ancient Egyptians.

Each temple was also considered the home of a god; Karnack is the Home of the god that rose to supreme importance in ancient Egypt, The God Amun. This temple is so vast that I found one visit was not enough to appreciate it, and so I made several visits. One of the most interesting and dramatic ways to experience Karnack Temple is  during an  evening when the sound and light show is presented Standing in the darkness in the midst of a crowd of chattering people I squeezed between a row of guardian sphinx that sat high above us on pedestals leading to the entrance portal of the first pylon, their ribbed horns curled around towards the face of a Ram, the head then morphed into the body of a lion, standing between giant paws the sphinx protectively enclosed a small figure of a pharaoh. The crashing sound of a gong suddenly vibrated across the evening and brought our procession   to silence, then the darkness was eradicated by a blaze of light, and the pylons glowed before us,   trumpets cut through the air announcing the arrival of a regal presence, and then a powerful male voice declared:  ‘You are now at The House of the Father.’……………. More dramatic music………. then……… ‘Here the Creator was worshipped for over 2,000 years,’ and so the story of Karnack was relayed to us by voices of long dead kings and queens in the iridescent lights and the night.  

Karnack sprawls across the landscape, its heart still stands but its body was broken into pieces leaving the ground littered with broken columns and pylons as its history expanded, enclosing thousands of years of inspiration and belief. At its heart is the Great Temple of Amun; nearby are smaller temples dedicated to his son Khonsu and his wife Mut whose name means mother. Over the centuries each Pharaoh ruled his people as The Son of the Father. He was considered as the living incarnation of Horus who was the divine son of Isis and Osiris.  Horus   protected the dynasty and the body of the king who was an absolute monarch, the ancient Egyptians believed that through the king and his communication with the gods Divine order stability and prosperity would be maintained in their land and chaos would be avoided. The king was the High Priest of all Egypt. During his reign it was the duty of each Pharaoh to add to the Temple and to honor the gods and his own ancestors. Some of Karnack’s sections fell into disrepair or were left uncompleted, over the centuries each succeeding Pharaoh carried on the work of his predecessors and In return for the honors and offerings, they believed that the  gods would bestow blessings of victories in battle, recovery from sickness and plentiful harvests. Only the Pharaoh and priests had access to this sacred home of Amun. 

In 1798 Napoleon Bonaparte of France mounted an expedition to conquer Egypt, to his regret his military aspect was a failure and he was forced to withdraw from Egypt within three years, but the scholars he took with him to complete a survey and record all the aspects of Egyptian life  brought  Ancient Egypt to the attention of the world. 

Walking through the first pylon  the immense width of the pylons  humbled me and made me feel as  insignificant as an ant, graffiti has been scratched on the great blocks of stone, almost at the top on the right hand side of the first pylon I saw   inscribed into the stones the record of the French arrival at Karnack ‘TheRepublique Francaise  Geographic des Monuments’ they had given the longitude and latitude of all the temples that they had studied in Egypt during their expedition with Napoleon Bonaparte. This deep entrance leads into the large first main courtyard where three barque chapels sit snugly in the corner; they were created by Seti 1 for Amun Mut and their son Khonsu.  Across the courtyard on to my right was the temple of Ramses 111, which is a miniature version of his mortuary temple known as Medinet Habu.

A single colossal statue of Ramses the Great dominates this large courtyard, his wife daughter Meritamun the White Queen stands between his legs, the statue is at the entrance to the second pylon, that was begun during the reign of his father Seti 1, its sheer size is emphasized by a fully grown palm tree behind it, after passing through the portal between the pylons; I entered the   most amazing Hypostyle hall, the reception area of the gods, its awesome lotus columns represent the plants that came into being on the mound of creation. The lotus columns are a symbolism of Horus who was born on the waters of creation, the lotus plant represents the first sunrise on the day of creation. Each evening the lotus submerges beneath the waters, and at dawn it rises symbolically to worship the sun again, it encompasses all the forces of nature and lives in all the four elements, its roots are bound to the earth and its stem rises through water, it flourishes in the air and blooms in the sunlight.  Standing in this incredible hall you are overpowered by 134 of these gigantic columns, 122 are in the open papyrus bud style, and another 12 in the central isle are closed.  I had a dream once that I closed my eyes and I was carried on the wind across the oceans to that magical forest of Redwoods in America where the trees seem to touch the sky, it must be one of the most natural heavenly places on earth, I never came close to that forest but I found the forest of my dreams in Karnack temple, but Instead of bark texture   I saw hieroglyphs all the way up these gigantic stone forest columns.  Standing submerged in this awesome forest during the night a voice speaks out and you hear the prayers of the priests, 'Hail to thee Amon, Master of Terror and King of Calm, King of Heaven, Creator of the Stars, I worship thee Amon.'

Walking through this wondrous forest  again one afternoon, a vibrant orange and black  stripped Hoopoe bird flew down and landed at the side of me, then its headdress similar to that of an American Red Indian chief neatly closed up as the bird  settled a few feet from me, I froze so as not to frighten it,  and as I stood quietly observing it, I almost felt that it was speaking to me and telling me that the Hall was as I had imagined it, the columns were  real live trees, and the temple was alive and accepted by the bird as part of creation.  I have never thought of myself as strange, although others have doubted my sanity on occasions, but I must admit even I was really surprised when I went to collect my photographs from the shop on the Corniche, when looking through them a very excited man in the shop told me that this bird was sacred to the Moslems and was written about in the Koran, the bird was a messenger who spoke to Sulliman informing him of the land that he had flown to and the heathen religion of the Queen of Sheba. I concluded that god is everywhere and speaks to us whenever we are touched by the divine as I had been in this amazing forest of stone within the Hypostyle hall of Karnack temple.

As I wandered through the columns I arrived at a side entrance into the hall, along this wall the Sed festival of Seti 1 is celebrated, from here Seti invites the gods into the house. Thoth the God of  the Moon, Magic, writing and wisdom stands behind the king who kneels beneath the tree of Life, Thoth has a lean sturdy body but his head is that of an ibis bird whose long  beak curves like the crescent of the Moon, he is the scribe of the Gods who keeps all the records of the living and those in the underworld, with his reed pen he writes the kings name in a  fruit that he then passes to Seti who hangs it on onto the magical Tree of Life for the regeneration of his reign. Seti is wearing the Kepresh ceremonial crown and holding a hek scepter to symbolize that he is the Sheppard and guardian of his people. The Goddess Sekhmet stands the other side of the tree of life behind the king, her elegant body is overshadowed by her golden mane and  the warm  regal face of a lion;  her strength and ferociousness was that of a lion, causing fear amongst  both gods and men , in a rage  she would  punish or  annialate all  wrongdoers,  she was the kings protector  in battle who ran before his chariot  slaughtering  his enemies, she preserved him from evil,  she stands behind him in this ceremony holding the palm of years from which a collection of Ankhs dangle that would jingle in the breeze,   this is a conduit for the divine power of life and permeates the universe.

To complete his ceremony Seti kneels before Amun holding the symbols of the Sed festival in his left hand, the God Amun reaches out to bless the king touching his Atef crown with uraei on disks all surrounding the horns of Khumn.

After the death of Seti his son Ramses 11 completed the Hypostyle hall where he erected 54 columns on the south side, and a stone wall to surround the whole hypostyle hall on the east. Ramses reigned for 67 years and fathered over 100 children!!!  During the fifth year of Ramses reign, a war broke out between Egypt and Kheta in which Kaddesh was the rallying point. This battle is also detailed on the pylons of Luxor Temple and his Mortuary temple the Rammessium on the west bank.  At Karnack the camp life and the overthrow of the enemy are described in detail, The inscriptions praise the king as a brave and a  bold conqueror of nations, firm on horseback and glorious in his chariot, whom none can escape when he seizes his bow and arrows.

Walking through the third pylon we reach an earlier dynasty where there once stood several obelisks, one of the obelisks was erected by Tuthmosis 1 who was the father of Hatshepsut. Her obelisk is to be found between the fourth and fifth pylon. Her rose granite obelisks were quarried at Aswan and took seven months to complete, originally there were two, one has fallen and its pieces are spread around the temple grounds. The tip of the obelisk was originally gilded with gleaming electrum a mixture of gold and silver, and was a beacon to guide travelers to the temple.

The inscription written on the obelisk from Hatshepsut expresses her devotion to Amon Ra:

'I have created this work with a heart full of love for Amon
Initiated into his secrets of origin
Instructed through his beneficial power
I have not forgotten what he has ordained
My Majesty recognizes his Divinity
I have acted on his orders
It is he who has guided me
I have never slept because I was pre-occupied with his temple
I have never turned away from what he has commanded,
My heart moved intuitively with The Father
I have entered intimately into the plans of his heart
I have never turned my back on the Master of totality
But rather I have turned my face towards him

After the death of Hatshepsut her co- regent Tuthmosis111 had a high wall built around her Obelisks and he defaced her cartouches where ever they occurred. The carved tip of Hatshepsut’s fallen obelisk can be found near the sacred lake where the priests purified themselves several times a day as nothing unclean must come before the presence of their gods.    

Tuthmosis 111 honored in every way the name of Amun and the memory of his relations apart from Hatshepsut, whose name he systematically destroyed from the temples. He founded The Hall of Ancestors and erected the Hall of Pillars, and the chambers and corridors belonging to it on the east side of Karnack temple, The sixth pylon details the Battle of Megiddo, which was one of the most important and earliest campaigns of Tuthmosis' reign. The prince of Kaddesh had united chiefs from the surrounding areas and together they were refusing to pay tributes to Egypt as they had not been enforced during the reign of Hatshepsut. The relief’s on the sixth pylon record's the spectacular tale of a grueling march of two months through the desert by Tuthmosis and his army to confront the prince of Kaddesh and his united enemies

Tuthmosis arrived at Yemen which was the most northerly point of Egyptian supremacy; his spies had reported that the enemy had gathered at Megiddo. Tuthmosis and his generals met to discuss their final advance; they told the king that there were three possible routes to reach Megiddo. The most dangerous route was through the Armana Pass which would be a constant source of fear every step they took as it was very narrow and they would have no defense from ambush or rock falls. Tuthmosis decided to go through this pass regardless of the advice of his generals; he was so determined in the belief that he would catch his enemies unaware that he rode at the front to guide his army. The march took twelve precarious hours until finally they emerged to the horror of the enemy who were totally unprepared for them as they had posted their armies on the other routes that they expected the Egyptian army to arrive at. The encampment is shown on the walls of Karnack. On the day of the battle Tuthmosis charged into battle on his gleaming chariot of electrum trampling his enemies underfoot. The enemy ranks fell into disorder with their men retreating and clambering up rope ladders to escape the ferocity of the Egyptian army. Unfortunately it is recorded that the foot soldiers were too keen to plunder from the fallen enemy soldiers, which resulted in the safe evacuation inside the city of the remaining force. Tuthmosis was furious; he now had to lay siege to the city of Meggadio which took him a further seven months. Eventually the Prince of Kaddesh and his chiefs sent out 84 of their children with gifts and surrendered. Tuthmosis returned to Thebes jubilant with all the spoils of his first campaign, the sixth pylon records than he had over 2,000 slaves including the children of the chiefs. 2,041 mares, 6 stallion’s and 161 foals, cattle, sheep, goats, metal stoneware and armour. Tuthmosis led a further 17 campaigns during his reign, the columns in his festival Hall are representations of the poles used for his campaign tent.

 To the rear of the Festival hall is an unusually decorated small room known as the Botanical garden, the walls are decorated with plants and animals that he brought back from his campaigns with Meggadio and Syria.

During the 24th year of his reign Tuthmosis built the whole northern wing of the temple and the outer walls that were designed to represent the waters of chaos.

The victories of Tuthmosis campaigns brought countries and cities of Western Asia into his power, Libya Nubia and Ethiopia brought prisoners of different races to the temple that were forced to labor under the Kings Chief Architect at the temple making bricks and building a new storehouse. The sculptures that have survived from the reign of Tuthmosis 111 are those of his grandfather Amenophis 1, his father Tuthmosis 1, and brother Tuthmosis 11 these stand before one of the southern temple wings.

An inscription of Tuthmosis 111 states:
'I have seen the transformation of the Divine principle of the two regions of light on the secret roads of heaven. The divine light speaks through me; I was bathed in its radiance and fully nourished by divine wisdom.

The journey through Karnack Temple with the Sound and Light show ends at the sacred lake. Every morning at sunrise in ancient Egypt the priests would release a goose onto this lake; they did this because of the creation myth. It was believed that four  sets of Gods had come from the  cosmos, the milky way in the heavens, They were the rulers of infinity, the rulers of darkness,  of primordial waters, and the secretive Amun and his partner Amaunet  who  ruled hidden things. Together they caused a blinding light and eruption on earth, and a primeval mound was created from the waters of Nun, on the primeval mound of earth,  a cosmic goose  then laid an egg, from which The God Amun hatched who then created everything else in the world.

I can still remember my first visit to the sacred home of Amun, and the grandeur that the sound and light show re-created, the memories have been emblazoned in my heart and colored by the deep blue night of the sky as the temple lit up beneath the moon and stars, with it's power and majesty still reflected in the sacred lake.